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Three metaphor poems

Today I worked with my students on writing metaphor poems. The activity was as follows:

  1. Make a four-column chart.
  2. In the second column, write at least five concrete nouns (ex.: horse, star, hat, lamp, feather).
  3. In the third column, write at least five action verbs (ex.: ride, laugh, play, dance, stroll).
  4. Then in the first column, write a body part (facial body parts work well here). Ex.: hand, lips, eye, cheek, heart.
  5. Using the three columns, write the beginning of a sentence that includes a metaphor. It should follow the pattern “My _________ is a __________ __________ing…” Ex.: My hand is a feather dancing…
  6. Then complete the sentence with either a word or phrase that completes the metaphor. Ex.: My hand is a feather dancing over the clouds.
  7. After doing this several times with different words from the chart, choose one metaphor sentence to extend into a poem. Write ten to fifteen lines that answer when, where, what, why, and how. Use concrete sensory details to extend the metaphor and paint a vivid picture for the reader.

(N.B.: I did not invent this writing exercise, but I don’t remember where I found it. My apologies to whomever created this activity. If anyone knows where this exercise comes from, please let me know so I may give credit.)

I taught this lesson several times today, and each time, I modeled the activity for my students. I tend to do my modeling in front of the students; I draft my writing up on the board and talk through my process as I go. As a result, I wrote three metaphor poems today. They’re all quite strange, a bit nonsensical, but I’m hoping their strangeness might give the students permission to also do weird and experimental things in their writing.

Here they are:

#1

My eye is a hat reading beside a lamp,

A fuzzy hat, made of wool, soft and warm in the shelter of my bedroom.

The book is an old favorite, something with mysteries,

And love, and adventure. Something that never gets tired or stale.

It’s night, and the time for reading has come — a time to forget,

To put aside urgent cares, to rest, to relax.

The lamp is yellow light, a soft sun in the presence of darkness.

My eye fits down over my head, covers my cares, floats atop

The pages.

 

#2

His mouth is a garbage can strolling around the museum.

It can’t help dropping its filth onto the marbled floors.

It’s after hours, the night watchman gone, the whole place silent.

But his mouth is hungry, looking for more trash, looking for more

Forgotten things.

The museum is filled with empty frames: artwork dismissed by the masses.

The garbage falls on the walkways and on the walls. Hunger is insatiable.

His mouth searches for the cafeteria but finds only Cubists.

Opening his tin lid, he devours a Monet, then a Warhol, then a Basquiat.

Genius is compacted into a landfill.

The garbage can burps.

 

#3

My heart is a computer singing along with the radio.

It’s a pop song, old school, Hanson or maybe NSYNC.

The 16-bit melody screams out of the computer’s speakers,

Unnatural but in tune. There is no strain on the processor.

Programmed to obey, my heart paid extra for more memory.

Uh oh, 403 error. Bad code. Forbidden. Blue screen of death.

Time to go to the Apple Store.

Poem #9

I gave my students a prompt today for our “writing workshop.” It was as follows: “Write a list poem using only CONCRETE NOUNS. Make the title an abstract word such as: Compassion, Jealousy, Envy, Wisdom, etc.”

Since I believe it’s important that I share in the work my students do (especially when that work is writing), here is my poem. Not sure if I like it, but in the spirit of “show your work,” I’m sharing.

 

Time

Bed sheets.

Pillow.

Alarm clock.

Pillow.

Cat claws.

Coffee cup.

Soap.

Boots.

Mittens.

Rosary beads.

Notebook.

Sticky notes.

Screens.

Screens.

Screens.

Bells.

Diet Pepsi.

Peanut butter.

Steering wheel.

Dinosaurs.

Crayons.

Toothbrushes.

Books.

Binkies.

Kisses.

Tears.

Hugs.

Nightlights.

Dishwater.

T.V.

Vitamins.

Books.

Bed sheets.

Pillow.

Pillow.

Pillow.

Here are some lines

I’m in a stuck moment with my latest short story, “Things.” (This will hopefully not be its finished title, but it’s what I’ve got right now.)

When I get stuck, I sometimes try to write a bunch of different “Next lines” to see if any of them get me unstuck. Here are the ones I wrote the other day:

  1. The fighting pit smelled like wet straw and blood.
  2.  The first drink was always the hardest.
  3. Only the nosebleed seats were sold to the public. The rest were reserved.
  4. The blood inside his body burned hot; his muscles hardened like tempered steel.
  5. Jora hated the streets during the Thing.
  6.  “Odin, All-Father, grant me a good defeat.”

I’m not sure if I like any of these, or if they’re the right “next line” in the story, but I think a few of them could be the start of other scenes/sequences in the narrative. If nothing else, this exercise allows me to see various paths for the story to take. Even if I take none of these particular paths, the very fact that these paths *could* exist is helpful for me. It lets me know that the story is fluid, and that there isn’t necessarily a wrong choice, just different choices.

Random Tables

I’ve been stuck in a mire with my fiction writing lately. I’m almost finished with a short story, “The Wind Masters,” and I’ve started another story called “Things” (that’s a working title), but my imagination has been pretty dry recently. It’s been hard to conjure images in my mind.

So I’ve decided to practice a new habit: Creativity Hour. I’m pretty sure this comes from James Scott Bell in his book on plot structure; the basic idea is that a writer should spend some dedicated time each week coming up with ideas.

A few months ago, I made a list of activities that could help me with generating ideas and images (I’m like C.S. Lewis in that way: I start with a picture in my mind), and then when it’s “Creativity Hour” time, I can pick an activity or two to do for about an hour.

I usually work in my writer’s notebook for these sessions. Sometimes I’ll listen to evocative music and write down the images that come to mind. Sometimes I’ll do a “Try Ten” and makes lists. Other times I’ll just free-write, or ask myself, “What do I want to write about right now?” I might also look at cool artwork and get ideas from the images.

Today I tried using random tables from some of my RPG books to generate ideas. The fantastic Dungeon Alphabet, the Monster Alphabet, issue #2 of the Wormskin zine, the Lazy DM’s Cheat Sheet. After about 30 minutes of messing around, I ended up on the psychedelics table in Wormskin, and then the ideas started to flow. I thought about scenes for my Norse-inspired story, “Things,” and started the seedlings of other stories and characters (one that I particularly like is a dragon with piercing white eyes without pupils).

Anyway, it was neat seeing how these random tables for role-playing games could be used to inspire my fiction. I’m not particularly interested in using my homebrew DCC RPG campaign as fodder for a novel or anything; instead, it’s more about the randomness of the tables being a nice way to challenge my imagination, improvising and mixing together disparate elements. The randomness opens up my imagination, makes me think: How can I fit this into my current work-in-progress? How can I use this to tell a *new* story? How can I combine these two seemingly unrelated things into something whole?

Random tables serve as a kind of tonic for the imagination. They can give a jolt of energy to an over-tired, dulled mind.

Black Dog

One of my students mentioned Led Zeppelin the other day, and man, what a great band. I have loved Led Zeppelin for decades but haven’t listened to them much lately. No particular reason why, just listening to other stuff. But when my American Lit class brought them up this week, I was all about going on a Zeppelin binge.

So. Many. Great. Songs.

Seriously, I can’t think of any Zeppelin songs that are actively bad. Or even mediocre. All their songs rock. All have something interesting going on. All are eminently listenable. “Kashmir.” “Going to California.” “That’s the Way.” “Tangerine.” “Black Dog.”

I once tried out for my high school talent show by singing “Black Dog” with a band of guys who were total stoners and awesome dudes. Very talented. My singing, alas, was not so much, and we didn’t get in. But I still had a heckuva good time jamming to that song.

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