Month: July 2023

Short Fantasy Novels?

According to Esquire, short books are IN right now. I am part of this reading trend, apparently, because I too read This Is How You Lose the Time War partly based on Bigolas Dickolas’s recommendation on Twitter.

(I mean, not because of their recommendation, but because our book club thought it was funny that someone who goes by the moniker Bigolas Dickolas was getting a viral response to a tweet about this book, and also, it was a book we all had on our reading lists anyway.)

But I have always liked short books, so it’s not really a trend for me. I like really long books too. I basically really like books, all sizes.

But short books are having their moment, apparently, and that’s good for me (I guess) because I tend to write shorter books (at least for now… who knows what will happen in the future). Not that anything I’ve written has become an internet phenomenon like This Is How You Lose the Time War

But I’m not interested in shorter books for my own career’s sake. I’m more interested in them for my sake as a reader and observer of trends in fantasy fiction.

My question is this: Has fantasy joined the short books crowd, or will the trend continue to be longish books? (I’m defining longish as 400 pages or more.)

I’m not against longish books by the way. (See above: I like books of all sizes.)

But there was once upon a time when fantasy novels were shorter than they are now, particularly the fantasy of the mid-20th century, and everyone was cool with it. We all know that Tolkien’s The Lord of the Rings set the template for what a fantasy series is “supposed” to be, but even LOTR isn’t that long when you think about it. It’s one book that clocks in at roughly 1,000 pages (which is long, yes), but it was published as three separate books of roughly 350 pages in length (so, today’s normal book length or shorter).

But starting around the 1990s?, epic fantasy needed to be EPIC both in scope and size. Five, seven, ten books in a series, and each book is pushing 800 pages, and some are even longer than that, and it’s not really fantasy unless it’s dense with detail and world-building. Tolkien’s LOTR wouldn’t even be considered long by these standards.

I guess we’ve moved away from massively long books in recent years, but most fantasy is still around the 400-600 page range. Six hundred pages isn’t LONG, but it ain’t short either. Put it into a series of several 600-page books, and we’re talking about a commitment.

When I pick up an old pulpy paperback from the 1960s or 70s, I’m always surprised by how short these novels are compared to today. Jack of Shadows was SLIM. I just bought the Empire of the East series by Fred Saberhagen and each of the three volumes combined is shorter than many a single fantasy novel you’d see on the bestseller chart today. The Last Unicorn is sub-200 pages, so are Le Guin’s Earthsea novels. Patricia McKillop, Andre Norton, Poul Anderson, Michael Moorcock, et. al. were writing slim volumes back in the day and everyone was cool with it.

I know trends in publishing are different from trends in storytelling and reading, but the two trends intersect. If the market has decided a fantasy novel has to “be” a certain kind of thing, then that is what we often see getting published.

Slightly large caveat here: With indie publishing, writers can basically do whatever they want. We can publish shorter books and not bat an eye. So, in this sense, we’re not beholden to what traditional publishers are looking for when publishing fantasy novels. We can bring back the olden days of sub-200 page novels and live like kings and queens. Definitely. This is true. I’m living that dream right now, with my longest paperback reaching only 284 pages. Huzzah!

However, the expectation of readers can still be set by what the publishing norm is in any given genre, and if indie writers and trad publishers continue to put out fantasy novels that are 400 pages or more a pop, then readers have expectations for what a “fantasy novel” is. The publishing trend can impact the reading trend.

(Obviously, as we’re seeing with the overall trend of readers reading shorter works in general, the market can and will adjust to what readers want, so it’s not all puppet-masters pulling the strings from above. I’m just curious about whether fantasy READERS are interested in shorter works overall. Maybe they are? Maybe there already is a trend for shorter fantasy novels and I’m just missing it? Very possible.)

I know I’ve really enjoyed the shorter fantasy I’ve read from the 60s and 70s. The commitment isn’t as huge, so if the book is a little uneven or weird, it’s okay. It’s only 160 pages. The swiftness of the storytelling is refreshing too. Even though these books are short, they don’t skimp on plot or world-building or anything else. They move breezily from strange vista to strange vista, and I don’t feel like I’m missing anything from the experience even though it’s a much shorter experience than what I’m often used to with books from today.

As a writer, I know I will continue to write shorter books (and hopefully longer ones too!), but as a reader, I’d love to see shorter fantasy novels make a comeback. With that shortness comes a slightly different approach to storytelling that I think can be refreshing. In 200 pages or less, both the writer and the reader can take chances that we might not otherwise take if the story were longer. I’d love a return to the old pulpy paperback days. Give me 150 pages and some weirdness, and I’m in!

Works in Progress July 2023

I’ve settled into a groove. My early morning writing routine has kept steady (with a few days here and there where I’ve had to shift my mornings to accommodate the varieties of parenting and life), and with my morning sessions, I’ve mostly focused on Norse City Limits. I’m up to 13,000 words in that project, which is amazing in some sense because it doesn’t feel like I’ve written that much. Not that 13,000 words is a lot, but when I see it all totaled together, and then I think of how I got to that 13,000, it doesn’t feel like I did any work. That’s the point of a daily habit, isn’t it? A little bit everyday adds up to a lot over time. Well, I’m proving that adage true.

My other project is a story I’m calling “Dark Was the Morning,” about an old dragon and an old dragon-slayer who must decide whether they want to face off against each other or not. They’re both tired and filled with ennui, facing the end of their lives and the slow betrayal of their minds and bodies as they age. I’m not sure if this will be a short story or a novella or something else. I’m just writin’ it and seein’ where it goes!

I wish I could say I’ve been working on Ysbaddaden and the Game of Chess, but that book is on the back burner again due to my focus on Norse City Limits. Maybe when fall rolls around and I’m getting to the midpoint of NCL, I’ll feel like I need a shift to something different and pick up Ysbaddaden again. I really want to finish the Merlin series, but I also know that these other stories are closer to the surface and need to be fished out first. I’m trying really hard to let my creative voice dictate my writing, and if Creative Voice says NCL is the way to go right now, that’s the way I’m going.

My blogging has been pretty shitty since summer started, but maybe that’s for the best. I should be outside doing summery things not hovering over my keyboard like a pasty crypt keeper. I would like to blog more, though, and maybe my renewed focus on Dungeon Crawl Classics RPG and other OSR/indie games will be the material I need to start blogging with more regularity. I’ve written before about these old-school games, and perhaps I shall write about them again in the near future. Old school RPG stuff is wildly creative, particularly the modules and settings, and I find that it’s often more interesting and inspirational than any other fantasy media. Who needs AI when there’s a random d12 table to roll on for ideas!

I think my earlier goal of 2500 words per day is too ambitious. Maybe someday I’ll hit that goal with regularity, but I think the better goal is to keep the streak of days alive. Writing a little bit every morning before the family wakes up is working well so far. 13,000 words of fiction isn’t a lot, but it’s something. And if I can keep it up, by summer’s end, I’ll hopefully hit 30,000 words. That’s a third of a novel. Not bad for a few minutes every morning.

The other problem with my 2500 words per day goal, is that eventually summer will end, and when it does, I’ll be going back to a 9-5 job (well, more like an 8:30-3:30 job… more to say about that soon…), and 2500 words will be nigh impossible on most days simply because of time constraints. And I don’t want to make writing into a chore. I don’t want writing to be a pressured thing. I don’t want to even make writing into a “career” (I’ve discovered I don’t want to make anything into a career, frankly). I want to write. For pleasure. For myself. For the sheer joy of it. But making it into a career is not for me. It might be for others, but not for me. I’d like to make art and let the day job make money.

So 2500 words is too ambitious. I would rather write daily — no matter how many words, just daily — and let the practice of writing (not the word count or end goal) be what matters. A daily habit. This is much more enriching to me than striving for a word count goal. (I shiver when I think of the word “striving.” I am not a striver. Down with striving! Up with leisure and habit!)

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