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A Little Patch of Trees

It was just a little patch of jack pine and maybe some white pine too, a few brambles and sumac, the last remnants of a slightly larger bit of woods, the bulk of which was cut down a while ago to make way for two subdivisions of McMansion-style houses. But the little patch that was left after that initial devastation — the little patch on the corner of the road — was still something. Something to enjoy as we took our family walks down to the gyro restaurant. Something to enjoy as I took my twice-daily walking breaks while working from home. Something worth savoring, even if it was a meager smattering of trees.

Now, it’s being cut down.

I’m embarrassed, on some level, to confess that it bothers me this much to see these trees cut down. Why should a few pine trees matter? It wasn’t like some beautiful, ancient forest was being plowed to make a strip mall. These were just skinny, scrawny jack pines, not the Forest of Dean. To say this is a “they paved paradise and put up a parking lot” moment would be total overkill. They already destroyed much of the little woods several years ago. This was just a tiny remnant.

But I can’t help it, overkill or no. I enjoyed those trees. I imbibed those trees, from the wet piney smell on damp days to the way they shaded the ground beneath them on sweltering summer afternoons. Those trees hid squirrels and birds and so many dragonflies and butterflies, and they made the walks we took down the sidewalk just a little more pleasant, a little more wild.

I would often walk alone past the trees and the wildflowers that grew up around them, and the sumac and milkweed, and stare into the denseness of the undergrowth, and think and dream, projecting strange images into the shadows and brambles that populated that little patch of wilderness. It was a respite from the zooming cars on the other side of the road, the noise and the speed. The patch of trees absorbed all that and quieted things, and looked especially beautiful as the sun set behind it on wintery Saturday evenings, the pale pink and orange glow of the sky enveloping the thin browns and greens of pine needles and bare branches.

Now, all that’s gone.

A few more houses will be built, I’m sure. And I guess I don’t begrudge someone wanting to buy a house. I live in suburbia, so what should I expect, right?

But that doesn’t mean my heart can’t break a little. That doesn’t mean I can’t feel a lump in my throat when I look at all those trees, cut down to thin logs and stacked into neat little piles, and now the sky is too glaring and huge, with nothing to soften it, and the houses that’ll be built there will be built without any trees in the yard, so that the skyline will be nothing but triangle roofs and too-big houses on too-small lots.

I’m not against all development, but if we’re going to build new housing, why can’t we concentrate it in downtown districts? Why can’t we build multi-unit housing? Why can’t we leave these patches of trees alone?

I’m a hypocrite, of course, because I live in a single-family house and not in the downtown district. I’m a NIMBY, and I’m ashamed of it. Maybe my husband and I made a mistake in not trying to find housing in a more walkable neighborhood, in an apartment or townhouse or duplex or whatever. I think about that a lot and do sometimes regret our housing choice.

But the little bit of wilderness we once had by our house is now nearly gone. That little patch of trees was the last bit. And while the stream and wetlands that are also near that corner probably can’t be developed for environmental reasons (thank goodness!), they are a mere fragment of what was formerly there.

It’s not like we didn’t see this coming. We knew that land would be developed someday. And when it was — when that first bulldozing of the woods happened — we were sad. But a little patch of trees remained, and I’d sort of gotten used to it, thinking that at least that little patch would stick around for us to enjoy.

But I should’ve known better. If there’s land to develop, it will someday be developed, even something as meager as that smattering of pine trees. I’m sure whoever owns the lands, and whoever buys the houses, will be much happier with the trees gone, and what say do I have in it anyway? It’s not my land. It never was. Those were never my trees. But even if I never owned them, I knew them, and seeing them gone is like seeing a friend move away forever.

Just a little patch of trees. But they mattered, at least to me.

Soundtrack of My Write

My morning fiction writing habit continues, and today, I wrote a tense scene where my main character is fleeing from a ghoul in a misty, frozen tundra.

I have a playlist for this particular work-in-progress, a mix of Led Zeppelin, Nordic garage rock, The Cramps, 1950s rock & roll oldies, and some jazzy tunes from mid-century, and for my scene this morning, I queued up Kay Starr’s “Wheel of Fortune.” On the surface, it was incongruent with the scene I was writing, and yet it really helped me get in the mood.

I can’t explain it exactly, but something about the contrast between the big, brassy song and the cold, tense atmosphere of the scene felt right.

The lyrics helped too. My main guy is running for his life, and it’s somewhat funny to think of lyrics like, “The wheel of fortune goes spinning around. Will the arrow point my way? Will this be my day?” as my guy is trying to outrun a monster. The languid pace of the song mixed with the quickness and fear in the scene also makes a nice contrast.

I often try to find a song that matches the mood of the scene, but in this case I went with opposites, and a bit of irony, and it really made the scene a blast to write.

Freaky Face

I’m reading John Bellairs’s The Face in the Frost, and I guess I was not prepared for how creepy and downright scary this book can be at times. I’m not sure why this surprised me since Bellairs is known for scary YA fiction, but I’ve been pleasantly (and creepily) surprised by how spooky The Face in the Frost is.

It’s a wonderful mixture of anachronistic elements and a sort of whimsical and madcap, everything-and-the-kitchen-sink type fantasy, but then it adds these supernatural horror elements, and it makes for a unique experience. I really love these pre-1980s fantasy novels where there’s a playful spirit of anything goes.

As I often do, I wonder if a book like this could be written today, or if there are authors who are doing this sort of thing in our current fantasy literature scene. There very well might be; I’m not well-read enough in today’s novels to say one way or another. But I am curious if there’s a place for Bellairs’s style of fantasy in our current moment.

A Homegrown Reading Challenge

Our house is stuffed with books. I don’t choose the word “stuffed” lightly. There are times when no matter where I look in our house, there are stacks of books in sight. Shelves overflowing with books, floors littered with books, stacks of books sprouting on tables and chairs and the ends of beds. I don’t necessarily mind that we have so many books (although I do wish we had more shelving space for them). What frustrates me, instead, is that we have so many books I have yet to read. So many. Whenever I see a book I haven’t read yet, I get anxious.

Time’s running out. Why haven’t you read me yet? I might be a masterpiece, but you’d never know. You’re too busy downloading books to your Hoopla app or your Kindle, or getting a book on loan from the library.

When I check out a book from the library, I sometimes get the feeling of an unfaithful wife stepping out on her man. I’m having an affair with one of these outside books. What about all the perfectly good books I have at home? They’re just waiting for me to notice them, to pick them up and start reading. What’s holding me back?

We honestly have enough unread books in our house for me to read two or three a month for years before I’ve exhausted them all. And yet, I’m off to the library again this week to pick up a book on hold.

Maybe when I’ve finished with my current crop of library books, I can embark on a new challenge for the summer. Maybe I only read books that can be found in our house from June through August. No outside books. Just me and the unread stacks on the floor (and on the bed, and on the nightstand, and on the ledges of bookshelves).

I’ll have to make exceptions for my weekly book club’s book, but otherwise, I’m sticking close to home for my reading choices. I can always go back to checking out library books when fall begins, but for the summer at least, I can only check out materials from the home library.

It will be hard to forgo digital books, though. I have SO MANY on my Kindle that I want to read, and SO MANY from Hoopla that I want to download. But it’ll only be three months, and for three months, I can stick with paperbacks and hardcovers. This will have the added bonus of showing my kids that I can live a life without constant screen time. Yes, more often than not, I’m using my screens for reading purposes, but my kids don’t always get that. They just see mom staring at a screen for half a day (not counting my desktop, which I stare at for the other half of the day).

If I’m only reading the books on our shelves, then they’ll see me with my nose in a book. A real, physical book. That will be a good thing to model to my children.

(Not that they don’t already love reading and have their own noses in books constantly, but I know they feel the allure of the screens too. They often make their own “phones” out of paper or cardboard and “play games” and “open apps” on them, which is really just them pressing on the pictures they drew on the paper and playing pretend, but still. It’s adorable, but also worrying that they desire a phone so badly.)

I know this challenge will mean rearranging my reading list a bit. Instead of reading my digital copy of Kothar and the Demon Queen, I’ll have to switch to reading the Fred Saberhagen paperback I got for my birthday a couple of years ago, or the copy of Witch World my husband brought home from a resale shop a while back. Instead of reading a new ebook about the craft of writing, I’ll have to pick up a non-fiction book from home about some other skill or art. And instead of getting the latest political book from the library, I can dive into the history and philosophy books we already have.

We have tons of comic books I’ve never read, tons of pulp books I’ve never read, tons of history and science books I’ve never read, and tons of contemporary and classic novels I’ve never read. I really won’t lack for variety, I just need to shift my plan to accommodate what’s on our shelves and not what’s available via inter-library loan.

As soon as I finish the library and ebooks I’m currently reading, I’ll make the switch to at-home books only. No more stepping out. At least for the summer.

Listening to Starlight

Been listening to a lot of synth from HDK, an Italian record label that specializes in, as they call it, “ambient punk, minimal-synth, dungeon-drone, wartime music and post-nuclear wave.”

I’ve written before about how I discovered the dungeon synth genre and then eventually found out that some of the artists have disgusting Nazi/fascist leanings. Not all of them, thank goodness, but enough to make me wary of seeking out new bands.

I vowed in my earlier post that I would give up the genre and stick with other music for inspiration, but HDK is one of those labels I haven’t given up on. They still release incredibly cool music, and since they are left wing politically, I don’t have to worry about supporting fascists by listening to the music they put out.

(I have also found a couple other dungeon synth artists whom I researched to make sure they weren’t gross, so I’m proceeding with caution with their music at the moment too. But it’s too bad I have to do this in the first place.)

Right now I’m listening to Starlight by Logic Gate. It’s futuristic, very 1980s sci-fi/thriller movie vibe. The cassette tape is made of yellow plastic and the liner notes come with a little grid game called “Asteroids Storm.” Every product from HDK has this kind of playful, throwback aesthetic and interactive quality. I really should splurge some day and buy a cassette of one of these albums. The dungeon synth ones often come with a little dungeon crawl module inside that fits with the music.

What I like about this kind of synth music, especially when I’m writing or getting ready to write, is that they set a distinct mood and ambiance, and since there are no words, I can get lost in the vibes of the music without getting caught up in the lyrics.

I do like music with lyrics for inspiration too, but I’ve found that I do better when I listen to those songs outside of my writing time. Maybe when going on a walk or driving or biking. Then my mind can interact with the poetry of the lyrics.

But before putting my fingers on the keyboard to type, I tend to prefer the synth stuff, especially when I need to get into a certain mood. Classical music works for me similarly (or movie soundtracks). Or other instrumental music.

What’s cool about the stuff from HDK is that they really carry the vibe over into the whole product. Even though I’ve never purchased a cassette from them, the pictures of the product are inspirational, as is the narrative aspect of the songs themselves. These are concept albums telling cohesive stories, and that kind of conceptual design helps focus my own attempts to create narrative.

Some of what HDK releases is not to my taste aesthetically. Some of the more horror-related albums, for instance. But in general terms, they have a vibe that I very much dig. It’s punk and pulpy, both tongue-in-cheek and earnest in its dedication to reviving a look and feel from the past. They’ve created a sonic universe that makes me want to write stories in their world.

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