Category: writing life (Page 3 of 16)

A Side Project That Took Over My Life

Seven years ago, I hadn’t yet started my career as an independent author. I was still finding my way as a writer, so I decided to write a NaNoWriMo novel based on my memories of childhood.

It wasn’t a memoir, though. I’m a fantasy author. I wanted there to be some magic in this story, so I had to make it fictional. My inspiration was Ray Bradbury and his beautiful ode to childhood, Dandelion Wine, a novel I hold dear to my heart.

So I invented Sarah Lewis, a ten-year-old from California who spends the summer with her grandparents in Michigan.

(“Sarah Lewis” by the way is an homage to two icons from my childhood: Sarah, the name of the lead character in Jim Henson’s Labyrinth, and Jenny Lewis, child star of the 80s and early 90s. I wished I could be them when I was a kid.)

I worked on the NaNoWriMo novel for awhile back in 2015, but then I set it aside and started work on my first published novel, The Thirteen Treasures of Britain. Treasures came out just after I had given birth to my second child (in 2016), and I was all set to start working on book two of the Merlin’s Last Magic series, when I found out I was pregnant again.

This third pregnancy threw me for a loop, and to take my mind off the mounting pressure to finish my Merlin series, I returned to my little side project.

Avalon Summer became my low-pressure respite from the demands of my day job, motherhood, and trying to write the next book in my fantasy series. When I was working on Avalon Summer, I could return to the days of my childhood: to the early 90s, to endless bike rides, to playing adventures in the woods. I would cue up my old R.E.M. albums and just write, remembering what it was like to be a kid again.

I worked on this book off-and-on for several years, just dipping into it when I needed a break from normal life.

But then about a year or so ago, something happened. I started to work on Avalon Summer A LOT. Maybe it was the pandemic, or maybe it was just the right time for it, but I became so caught up in Sarah’s story that my nice little side project became the main event. I started working on Avalon Summer all the time.

And then something else happened.

In the course of the story, Sarah finds a dusty old paperback called Gates to Illvelion. It contains some eerie parallels to her own life.

When I was writing about the paperback and its effect on Sarah, I realized I needed to make up some chapter titles, some characters, and some plot points for this non-existent book to fit into my narrative for Avalon Summer.

So I did.

And then I decided to write the entire book.

The result — Gates to Illvelion — is an homage of sorts to the pulpy genre fantasy of the 1970s. Inspired by writers such as Peter S. Beagle, Patricia McKillop, and Andre Norton, I wrote Gates to Illvelion as something ten-year-old Sarah would get immersed in and even disturbed by.

I wrote it under a pen name — A.R. Rathmann — and not to spoil things too much, but I decided to make the identity of A.R. Rathmann a plot point in Avalon Summer.

If this sounds a little confusing, well, it is.

I wrote a coming-of-age novel in which a young girl is obsessed with a fantasy book by a mysterious author, and then I went and wrote the fantasy book this young girl becomes obsessed with.

Because of the nature of these two projects, I decided to do a Kickstarter campaign that showcased the connection between these two books. Readers scrolling through Amazon wouldn’t know or understand that Gates to Illvelion is a new release pretending to be an old vintage paperback. And they certainly wouldn’t understand that Gates to Illvelion plays a role in the plot to another novel, Avalon Summer, a coming-of-age story about a girl spending the summer with her grandparents in Michigan.

These two books have a story behind their creation. The Kickstarter was my way of sharing that story.

But now the books are getting released to the general public on May 30, 2023, so I thought a blog post was in order to explain the connection between them. Buyers scrolling through Amazon still won’t know the connection between Gates to Illvelion and Avalon Summer, but I’m hoping word of mouth will provide some illumination.

Of course, each book can be read independently of the other. They aren’t connected except in a meta, self-referential way.

And I’ve kept the pen name “A.R. Rathmann” separate from my “Jennifer M. Baldwin” identity. A.R. Rathmann is listed as a separate author on the retailer websites and on Goodreads. Perhaps this isn’t the best tactic marketing-wise, but it’s how I wanted to do things.

Summer is almost here, and so are Avalon Summer and Gates to Illvelion. I hope you’ll want to sit on the handlebars and come along for the ride.

Get Back in the Saddle

I haven’t blogged for a few days, failing (you might say) in my attempt to blog every day. I set the challenge, and I fell short, and thus I failed.

Or…

Maybe I can never fail. Maybe the old cliche is right, and the only way to fail is to give up. Missing a few days blogging last week is nothing compared to giving up right now. And I don’t want to give up. I want to keep blogging. I want to try and post something every day.

I know I’ll fall short at some point. But that’s not the point of all this. The real point is to keep going.

I’ve been here before with my writing. I’ve gone through stretches where my fears and my perfectionism made it hard for me to write ten words, let alone a thousand. I went through periods where I could only write when I had the “perfect time” to write (what a joke I was playing on myself then), and I went through periods where I thought the reason I couldn’t write was because my life had conspired against me to rob me of my inspiration or my time or my energy (this was also a joke, but not one I played on myself… it turns out the joke came from others, from gurus with “advice,” which was that in order to write, one had to write a certain amount of words each day, and every day, and if one didn’t meet these quotas, one wasn’t a “real” writer… boy, did that put too much pressure on what was supposed to be something fun!).

But each time, whether I did it to myself or believed what others said was true, I never gave up. Not completely. I still kept writing, even after long stretches of not-writing. It would have been a lot easier to stop writing, when I felt so much like a failure, only it wouldn’t have been easier. Not really. Because, for whatever crazy reason, I really, really, really need to write. I need to put my thoughts and ideas and stories into written words, and if I don’t do that, I get cranky. I get all bent and sharp-edged. If I go too long without writing, I get angry. Out of sorts. I never realized that my compulsion to write was tangled up in my emotions and sense of self, until I started noticing how I felt on days when I wrote and how I felt on days when I didn’t. Kinda like the difference between days when you exercise and eat well versus the days when you don’t.

It’s the same with blogging (which, obviously, is a kind of writing). If I don’t write down my ideas and work through my thoughts as I write, I feel off. I feel strange. Not myself. All bottled up, and at the same time kind of fuzzy, like my very self is going out of focus on an old TV set.

So, I can’t give it up. Even if the internet melted down tomorrow (which… maybe not a bad thing…?), I would still write down my thoughts and put them out there for others to see. I might make more zines, I guess. (Which, come to think of it, is probably something I should do anyway.)

But regardless of the delivery system, I would still want to write stuff and show it to people. Not because I think what I have to say is so great or important, but simply because I feel good when I write, and I feel good trying to connect with other people through my writing. Why do any of us make stuff and share it with others? Because it’s fun and makes us feel good.

Missing a few days in my “daily blogging” challenge doesn’t change anything. I haven’t failed. I’m still “blogging every day” because I’m here right now, typing these words and posting them, and I’ll keep “blogging every day” no matter how many future days I miss. Failure only happens if I give up. And I’m not going to.

Soundtrack of My Write

My morning fiction writing habit continues, and today, I wrote a tense scene where my main character is fleeing from a ghoul in a misty, frozen tundra.

I have a playlist for this particular work-in-progress, a mix of Led Zeppelin, Nordic garage rock, The Cramps, 1950s rock & roll oldies, and some jazzy tunes from mid-century, and for my scene this morning, I queued up Kay Starr’s “Wheel of Fortune.” On the surface, it was incongruent with the scene I was writing, and yet it really helped me get in the mood.

I can’t explain it exactly, but something about the contrast between the big, brassy song and the cold, tense atmosphere of the scene felt right.

The lyrics helped too. My main guy is running for his life, and it’s somewhat funny to think of lyrics like, “The wheel of fortune goes spinning around. Will the arrow point my way? Will this be my day?” as my guy is trying to outrun a monster. The languid pace of the song mixed with the quickness and fear in the scene also makes a nice contrast.

I often try to find a song that matches the mood of the scene, but in this case I went with opposites, and a bit of irony, and it really made the scene a blast to write.

Pretending to be Prolific

Been thinking a lot today about my fears and the critical voice that constantly tries to stop me from writing. I wrote quite a bit in my WNB this morning, trying to figure out what my fears really are and brainstorming ways to combat them.

I’ve always admired prolific writers. Ray Bradbury. Neil Gaiman. All the old pulp guys like Robert E. Howard and Clark Ashton Smith (and so many others). And there are women too, like Andre Norton, Leigh Brackett, and Ursula Le Guin, who were incredibly prolific in their lifetimes. Jane Yolen is a writer today who is incredibly prolific and one I admire.

So, if I admire all these prolific writers, how do I combat my fears and get more writing done?

While writing in my notebook today, I decided to try a technique that will hopefully kill my critical voice and get me into the right headspace for writing.

That technique is visualization. If I can visualize myself as a pulp writer, as someone like Andre Norton, who loves to tell stories and doesn’t care what anyone thinks, then maybe I can let go of my perfectionism and fear of writing something “wrong” and just let the words flow.

You might be wondering, why the need for visualization? Why not just force myself to write more?

But this is where my critical brain is so deadly. The negative thoughts and fears keep me from “just writing.” I get hung up on worrying what people will think. I’ve tried “just writing more,” but critical voice always sneaks in and stops me.

Not necessarily in the moment of writing, but in the off-hours, when I’m thinking about what I wrote and start questioning everything. It’s in the in-between times when my critical voice is most ascendant, when it starts judging my writing and making me doubt myself. These off-hours ruin my energy and enthusiasm for the story. They make it harder and harder to sit down at the computer and write. I’ll force myself to do it, but critical voice has sucked all the fun out of it.

But the prolific SFF writers? I don’t know if they really didn’t care what others thought of their work, but I suspect they had a healthy dose of “don’t give a fuck.” And that’s the attitude I need to channel.

So my solution is visualization.

I like pretending. That’s why I like writing stories in the first place. It’s all make-believe. Like when I was a kid. Telling myself stories while I ran around the backyard. My kids do this too, all the time, and they are so engrossed in their make-believe epics, they have zero time for worrying what others will think. That is the key.

Since I like to pretend, since playing make-believe is where it all started for me, I’m going play make-believe now. I’m going to pretend I’m a prolific writer. I’m going to pretend to be an Andre Norton-esque fantasy writer who writes fearlessly and doesn’t care what people think.

Dean Wesley Smith often talks about how writing should be fun. His advice: “Make it play.”

Well, this is part of my play. I’m pretending to be prolific. Playing make-believe as I sit to write. I’m playing around in the story world even as I’m playing a part at my desk. And if I pretend enough — if I visualize myself as a prolific writer — then perhaps the make-believe will bleed into reality.

Visualization is one of those popular techniques for achieving goals and establishing new habits, and there’s a bit of a hippy-dippy quality to it, but I remember a teacher training we did at my old school several years ago, and the instructor was a professor of psychology, and he told us about the studies they did with students who visualized themselves taking a test and doing well, and he said that students who visualized themselves being successful on the test before they studied did better than the students who just studied. And there’s a bunch of research on how visualization coupled with practice can help basketball players improve their free throw shooting. It’s not unusual for performers, athletes, and others to imagine themselves on stage or on the field doing their thing and having success.

So why not visualize myself as a prolific pulpster who is having a blast writing all the stories of her imagination? To some, this might seem like a crutch, but to me, it’s just an extension of the fun to be had writing stories in the first place. If I can make-believe a story and write it down, why can’t I make-believe I’m someone who has a prolific career and writes with abandon every day?

The visualization has to be coupled with practice, of course. Which means I still need to sit at my desk and write. But when I sit down, I’ll imagine I’m a pulp writer, bursting with stories, fearless, ready to spin a yarn. It’s the fun of the masquerade, of playing dress-up, of pretending. I don’t write under a pen name (well, most of the time I don’t), but I can see how a pseudonym gives one the freedom to be someone else for a little while. If I pretend to be someone else when I’m at my writing desk, perhaps I’ll unlock some of that freedom.

What I hope will happen is that over time, I won’t need the visualization exercise. I hope I’ll simply BE a prolific writer who doesn’t care what others think and who has banished her critical voice. Until then, I’ll use my imagination and pretend.

It’s what writers do.

Early Morning Writer

I’ve been trying to start this habit for AGES. Everyone who works and has kids seems to swear by waking up in the wee hours of the morning and getting their writing done before anyone else is up. They make the sacrifice to go to bed earlier, or simply give up some of their sleep, so they can devote time to their writing.

It sounds like a good solution, right? If life is busy and there’s no time for pursuing one’s creative work during the day or evening, then get up before dawn and do the work then. Simple. Effective. Before you know it, you’ve written a novel in your little early morning productivity hour.

Except, I have always struggled with this strategy. I can train myself to go to bed earlier and wake up earlier (or, as often happens, sacrifice my sleep), but what I cannot do is form coherent, interesting, or evocative sentences in the pre-dawn hours. I just can’t. My brain doesn’t have any thoughts or ideas that early in the morning. 6:00 a.m. is for shaking the fuzz out of my head, not for making up stories.

And if I wasn’t going to be an early morning writer, then I’d have to be a night time writer, slinking down to the computer after putting the kids to bed and trying to plunk out a few plot points before exhaustion claimed me. But that’s just it: by the time night rolls around I’m EXHAUSTED and cannot form many coherent thoughts either.

I know this sounds like a lot of whining, but there’s a somewhat happy ending here. You see, today, I tried again with the morning writing thing. I woke up at 6:00 a.m. and headed down to the writing computer, and I told myself I wasn’t going to do anything else but write fiction. No writer’s notebook. No reading. No nothing. Just plunk those keys to make some sentences and write the next line in the story. I was going to force myself to write, and by some kind of miracle, I did! I wrote about 800 words in a little less than an hour.

Now, this was just one day, and one day doesn’t make a pattern or a habit. But I figure if I keep doing this every day, if I keep forcing myself to write (even if the writing is crap-ay), then over time, my mind and body will be trained to associate early morning wake ups with heading down to the computer to write.

This kind of pattern/habit building happened to me recently with my back injuring in late December. I was in so much pain (mostly down my leg due to my nerve being pinched) that the only relief I could get was to walk slowly around the house. I had to do — I mean I HAD to do it or I would be in excruciating pain — and because I did it every day without fail when I woke up in the morning, I started doing it automatically. Alarm goes off, do some stretches, roll out of bed, start walking. I used that walking time to listen the the Liturgy of the Hour, so that became part of my daily ritual as well.

And after fourteen weeks of waking up and walking around the house every dang morning, I find that I simply cannot start the day without doing it. My brain doesn’t even make the conscious decision anymore. I get out of bed and start walking. That’s just what I do.

I’m hoping to develop the same pattern/habit with my writing in the morning. Just like my walking, I don’t have to do it perfectly. Most of my morning walks are me hobbling along at a snail’s pace just to get my back and legs feeling normal again. It’s not pretty. But it doesn’t have to be pretty. The walking is what’s important, and the repetition that builds the habit.

So tomorrow, after I wake up and walk, I’ll head downstairs to the computer and start typing. I’ll write anything — a new short story, the continuation of an old one, the prologue to a novel, a random sentence in the middle of my work-in-progress — and I won’t think too hard or too much about it. I’ll just force myself to write, just like I had to force myself to walk despite the agonizing pain.

Knowing that I have to be a little hard on myself to keep the pattern going, it will be worth it if I can change this aspect of my writing process and work habits.

Today’s only the first day. Maybe after I’ve been at it for a week or two, I’ll revisit how this experiment is shaping up. I hope I can make it stick this time.

Keeping the Streak Alive

The title of this post is not referring to my blogging challenge. This is only my third (?) day of consecutive blogging, so it’s hardly a streak at this point.

The streak I’m referring to is my fiction writing streak. I’m now at 46 consecutive days of writing at least one sentence of fiction every day. Most days I write more than one sentence, but the one sentence bar is low enough that I can do it even on days (like today), where I can’t get to my fiction until the very end of the day and my brain is utter mush. Even in a state of utter mush, I can wrangle a few words together to make a sentence.

And thus the streak continues.

One thing I’ve discovered over the past several years is that I’m a creature of habit, and if I can keep a streak going and do a little bit of something every day, then I’m much more likely to be happy and feel successful. This is an idea taken from James Clear’s Atomic Habits, the idea that small, incremental habits can build up over time and lead to something greater. Even if I only write one sentence, I’m still keeping in touch with my work in progress. I’m still contributing something to the story. And like the proverbial snowball running down the hill, I can feel momentum building with each day.

So, today’s writing was limited. I managed about 84 words. But those 84 words are more than what I had yesterday. And they got me to connect with my story again and keep it fresh in mind. Now I can fall asleep thinking about it. And tomorrow, when I sit down to write again, I’ll have forward momentum. It’s a lot easier to keep the snowball rolling than to try and restart it every week or so. So I just keep rolling it a little further down the hill every day.

Keep rolling and keep the streak alive.

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