Category: writing life (Page 17 of 17)

Books I’m Reading (to help with my writing)

I have to say, I’ve been inspired lately. Mostly due to my husband’s belief that I can be a professional fiction writer, as well as to the Christmas gift he got me last year: a Kindle. Before the success of ebooks, I thought the only way I could be a published novelist was to get an agent, get a publishing contract, and have my book published by a traditional publisher. I had considered self-publishing in the past, but those were in the dark days before ebooks, and the fear of paying for a print run and having stacks of unopened boxes of books in my garage hung like a specter over the whole enterprise.

But seeing the success of ebook authors in recent years has me reevaluating self-publishing.

So with my new Kindle, I started downloading a bunch of books. I started off downloading public domain books that were either free or super-cheap (A Princess of Mars and The Worm Ouroboros being two of my favorites). But then I started getting books about self-publishing, about making a living writing ebooks, and the whole crazy dream of me being a fiction author started to seem possible.

These are the books that have inspired me or that continue to inspire me. These are the ones I’m reading right now or that I’ve read in the last few months:

Write. Publish. Repeat. by Sean Platt, Johnny B. Truant, with David Wright

This one kinda started it all. It made self-publishing seem possible; it laid out a plan. It also gave me a nice kick in the pants to sit down and start cranking out words. I am not prolific. It takes me a long time to finish rough drafts of stories, scripts, novels. It takes me even longer to revise (I often rewrite entire drafts from scratch). So reading how Platt, Truant, and Wright have cranked out millions of words in the last few years has lit a fire under me to crank out the words at a faster pace. If I want to have a career writing books, I have to write a lot of books.

Writer Dad by Sean Platt

This one was suggested after my purchase of Write. Publish. Repeat., and since I liked the previous book, I thought I’d check out this other one. Though less nuts and bolts/nitty-gritty about the process of self-publishing, this book was just as inspiring. Basically, Platt decided to make writing his full-time career and Writer Dad is the story of how he did it. Again, it’s inspiring and helps me focus on achieving my goals as a writer.

Write Your Novel from the Middle by James Scott Bell

I have Bell’s book, Plot and Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish, and I really like it. I’m not particularly good at plotting (I’m more of a character and dialogue person), so his techniques have been helpful. It’s also just a good “writing guide” in general, with nice exercises for keeping momentum going and hitting your word count goals.

I’ve also taken a screenwriting class with Mr. Bell, and he was fantastic. So I was predisposed to like Write Your Novel from the Middle. And it’s an interesting approach to plotting and one that I’ve been using in my latest novel, 13 Treasures of Britain. It’s a short book but it has a lot of great advice.

Make Art, Make Money by Elizabeth Hyde Stevens

This is not a book about writing; however, it is a book about being an artist and making money from your art. It’s also a fascinating career biography of Jim Henson, a man who is one of my personal heroes. Stevens’s basic thesis is that Jim Henson was an artist who didn’t sacrifice his art in order to make money. I enjoyed her analysis of Henson’s career, and I found her suggestions to be overall helpful and even sometimes inspirational. Again, this book is meant for artist-entrepreneurs who need to see that their dreams are possible.

Let’s Get Digital by David Gaughran

This is a how-to for self-publishing digitally, but it’s also an interesting analysis of the publishing world. I didn’t realize how messed-up some things are in the traditional publishing industry (for instance, authors’ royalty rates for ebooks from traditional publishers is a lot lower than I thought it would be). The book is a how-to self-publish, but also a why-to self-publish. I really like Gaughran’s ability to explain technical things; I feel like I can manage to upload my manuscript and do all of the technical/business things necessary to launch my books. It’s laid-out nicely too, making it easy to find whatever info I need for a specific task.

(N.B.: Write. Publish. Repeat. and Let’s Get Digital can be purchased as part of a boxed set along with How to Market a Book by Joanna Penn. The boxed set is called the Indie Author Power Pack, which is on sale right now for $0.99. It’s a fantastic deal for those who are interested.)

The best part about all of these ebooks (besides their wealth of information), is that they were not expensive. I’m still astounded by how much ebooks from the big publishers cost. Those who self-publish seem to have a much better handle on how much an ebook is really worth. So for not a lot of cash, I’ve been able to expand my knowledge about self-publishing and get inspiration for my art with these books.

NaNo 2014: Week #1 Recap

In order to finish the rough draft of my novel by December 30, I’m doing NaNoWriMo this year. I’ve done NaNo in the past (I won the challenge in 2009 and wrote a fabulously bad novel), so this experience is not new to me. But what *is* new this year is that I’m using NaNo as a way to complete the rough draft of a novel I plan to publish. So the pressure is on to write 50,000 words this month, more so than in past years of NaNo.

My first week has not been spectacular. I’ve found it hard to write after a long day at work, or the baby has demanded my attention for most of the day and I can only write for the 45 minutes she manages to nap. Or I’ve had to grade papers (day job = teacher).

I’m up to 7,806 words, which is almost double what I had written for the novel before November 1st (current total word count for the novel: 15,750).  So in a sense, NaNo has already helped me increase my productivity. So that’s good.

But I’m also finding out that I am not a fast writer. I have moments where I get going and the words come faster, but for the most part, I just do not come up with ideas, words, lines of dialogue, descriptions, or plot developments fast enough.

This past weekend I tried a new strategy to see if I could get my word count up: Using the “Writercopter” (Courtesy of Hillary Rettig)

And so far, it has been helpful. I am not a writer who outlines her story (i.e.: a “planner,” as many in the NaNo community call it), but I do sketch out the basic structure of my story by figuring out what should happen in each chapter (and this is all very sketchy and rough; ex.: “Ch. 8, Merlin uses some kind of spell to find the Nomad [she is wandering on a distant planet]; she uses the whetstone to sharpen her sword and defeat the spirit creature that has stalked her”). So the Writercopter method works for me because I can skip from chapter to chapter whenever the mood strikes me, or I get an inspiration for a particular part of the story. Yesterday, when I was struggling with Chapter 6, I skipped ahead to Chapter 7 and then even did a little bit with Chapter 12.

Unfortunately, even this method hasn’t increased my word count by all that much. My new goal is 2,000 words per day. This should get me over the 50,000 hump. But so far today, I’ve written 46 words (and I just wrote them two minutes ago so I could claim to have written something before posting this blog).

The only thing that gives me comfort at this point is that my average per day is 780 words — which is more than the 350 George R.R. Martin supposedly writes each day.

Pottermore and Me

At first I felt guilty about joining Pottermore and wasting precious hours not writing. This was two days ago. But now, on my third day of “life with Pottermore” I am feeling slightly less guilty. Still guilty, but less so.

Yes, Pottermore is still a massive time-suck that is completely useless (WHY am I obsessed with dueling?! WHY?! I suck at it!), but it’s also helpful for my writing in two ways. One, it’s strangely inspirational. J.K. Rowling, who started off as just a random nobody who spent her off hours writing a novel about a boy wizard, is now one of the most successful authors in history. I can guarantee that I’ll never be as famous or as widely read as J.K. Rowling, but her success story is inspirational nevertheless. I’m not sure why that is — why Rowling and not, say George R.R. Martin? I have no answer for why I find Rowling an inspiration and not Martin, but I do. Perhaps it’s her accessibility. Not the kind of accessibility that lets me know what she had for lunch or which football team she’s rooting for, but accessibility when it comes to her writing life.  And that’s exactly what Pottermore is; it’s accessibility. It allows fans to get access to her writing process and the way her imagination works. I love reading about how authors work, how they get ideas. I love seeing what methods they use, and I love to use some of their methods for my own work. It keeps my mind stimulated and makes the act of writing seem fresh.  So Pottermore *is* helpful in that sense; I’m getting a glimpse into the mind of the Harry Potter author and seeing how she created her stories and her world.

It’s also helpful as part of my “stimuli” theory. When I’m writing a fantasy story, I need fantasy-based stimuli to keep my imagination buzzing. By using the interactive experience of Pottermore, by exploring the world of Harry Potter, I am able to generate ideas for my own fictional world. The swish of a cat’s tail in the darkness of Privet Drive is enough to get my mind racing with story possibilities. The rows upon rows of dusty boxes at Olivander’s stimulate my senses — the smell of the dust; the crinkle of the parched boxes; the pale, hazy light from the storefront window that streaks across the old wizard as he searches the endless stacks. The images and graphics and icons — they all work like little electrical shocks, reanimating my creativity and propelling me to open Scrivener so I can get back to my own novel.

So yes, I should probably spend less time on Pottermore and more time actually writing. But there is a place for Pottermore in my writing life; I just need to make sure I don’t get stuck there.

Warming up to write

I have a problem. I know I should write everyday — and I am happier when I do — but I can’t simply sit down for 30 minutes or an hour and start writing. I need a “warm-up.” Basically, I need a (lengthy) period of time before I actually put words to paper in which I let my mind wander and my imagination imagine. I need to visualize things, play around with story ideas, and just basically get lost in my own head for awhile before I can start writing. And this presents a problem because my warm-up time often exceeds the actual time I have to get my writing for the day done.

Since my little one arrived (she’s four months old), I don’t have hours to devote to warming-up and then writing. I have maybe a half-hour, maybe an hour total, but that’s not enough time to rev up my imagination and get through my daily word count (which at this point is 600 words a day, IF I want to make my deadline of December 30).

Does anyone else need a “warm-up” time before she can actually sit down and start writing? Or am I alone in my sorrows?

One thing I’ve found helpful — since I don’t have enough time to do my “warm-ups” — is to basically immerse myself in stimuli all day long that keep my imagination flowing. For example, my current novel is a retelling of Arthurian legends (basically, Merlin trying to save the world, but in the present day), so I listen to Celtic-sounding music all day, read books and watch T.V. that are fantasy-based, and try to only read and look at things that put my imagination into the world of King Arthur, the Middle Ages, dragons and monsters, magic, etc. etc. So far my total immersion plan has been going pretty well. I feel like what I’m doing is “feeding” my imagination all day long so that when I do finally get a few minutes to sit down and write, my imagination is “full” and I can get to the business of writing without wasting time.

The difficulty, however, is when I can’t do total immersion. At the moment, I am completely stalled with the novel because I haven’t been able to immerse myself in stimuli. So as a result, I haven’t written in over a week and I’m not feeling the “heat” of the story anymore. I need an emergency dose of Harry Potter and the Prisoner of Azkaban, two doses of my Sandman comics, and a flip through the new Brandon Sanderson book I just downloaded (The Way of Kings). If nothing else, I need to start listening to my old Clannad albums (Legend for the win!).

Being a writer

I have always been one. Or at least, I have always remembered being one. I still have notebooks from childhood that contain stories I wrote. I remember composing a story in fifth grade about a drop of water and his adventures spent going down the drain (there was quite an episode involving the blades of the garbage disposal). After an epiphany in 11th grade, I knew I wanted to be a screenwriter and devoted a great deal of time and money to studying screenwriting in college. I even moved to Los Angeles for a brief period in order to pursue my dream (turns out, L.A. is fun to visit, but I didn’t want to live there). My love of movies, however, landed me a few freelance jobs, writing about classic films. I actually received payment for my writing (which, however small it may have been, was still pretty awesome). And despite my swerve into a career in teaching (high school English, yo), I still consider myself a writer. I have always been one and I always will be.

But now I’m doing something different. I’m actually committing myself to the goal of become a fiction author. It’s the thing my fifth grade heart always wanted, but somehow over the past twenty years, I let it slip out of my head. I let other jobs, other goals, other types of writing seep in, but now, finally (and maybe it took starting a family to realize it), finally I’ve decided that I really should do the one thing I’ve always wanted to do: Write books.

So now I’m here — as a way to connect with others, as a way to document my journey, as a way to make sure I stick with it — and hopefully over the next several months, I will go from being a writer who is trying to write a novel to a writer who has written one.

What will follow on this blog are things related to my novel, things related to my writing process, things related to my life, things related to the things I love (mostly, but not limited to: science fiction, fantasy, comic books, new movies, classic movies, Doctor Who, Game of Thrones, theater, folklore and fairy tales, language, J.R.R. Tolkien, Harry Potter, music, theater, and magic). My hope is that this blog will keep me honest. I say I’m a writer; now all I have to do is write.

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