Category: writing life (Page 17 of 19)

The Continuing Adventures of a Writer (and mom)

I thought my initial goals were realistic. 1,000 words a day. No big. Totally doable. My work as a high school teacher is only part-time, so finding a way to write 1,000 words a day should be easy, right? I only have one child (currently), and she can’t even walk yet, so 1,000 words should be no problem, am I right? I’ve written 1,000 words in an hour before, so finding the time to do it over the course of eight hours should be easy-peasy, shouldn’t it?

In one word: No.

No, apparently I can’t have nice things. Apparently, there are days when I simply cannot get the time to sit down and crank out 1,000 words. Either the essays I have to grade are piling up, the yearbook pages have to be approved and submitted to the publisher (before our ever-approaching deadline), there’s school paperwork I need to file and complete, there’s food I need to make for the baby, there’s laundry to do, or cleaning to do, or I need to shop for the baby’s Easter dress, or we’re running out of food and I need to go to the grocery store, or… I do have an hour of peace when the Noodle finally takes a nap, but by the time I pee, make a cup of coffee, read what I wrote yesterday, start to get ideas for what to write today, and then start writing a few halting, awkward words, the baby is up again. On a GOOD day, I can manage maybe 400 or 500 words. On a middling day, I can hit 300. But on most days, I manage zero.

There’s too much life piling up around me to find that elusive creature known as Regular Writing Time. I struggle to write well when I’m writing in fits and starts throughout the day, sneaking in a word or two while the sweet little Noodle is occupied for five minutes by her Winnie the Pooh toy. But trying to set aside a nice, two-hour chunk of time is pretty much impossible.

I’ve read about moms who have three or more kids running around (all under 5 years old), and they somehow manage to feed their kids organic gourmet meals, play educational games with them all day (and never plop them in front of the television), and yet somehow still manage to make a living as working writers. I think these women are liars. There’s no way. I only have one child and I can barely manage it. I can’t imagine it gets any easier with more (and I do plan to have more).

What about this blog post? you ask. Didn’t I somehow magically find the time to write this blog post? Yes, yes I did. But I don’t really care about this blog post. It’s just a tossed-off rant that requires very little brain power to compose; it doesn’t have a complex structure or dialogue or characters or imagery or any of the other more difficult skills that need to be utilized when writing fiction. I can do a blog post like this in fifteen minutes, tops. And I can do it without thinking. So if the Noodle is clawing at my knee while I’m doing it, it’s no big deal.

But if I’m trying to write the next chapter of my novel and I need to actually THINK about what I’m doing, then the Noodle’s claws and boops and bips and bops are much more distracting. And I can’t write 1,000 words in 15 minutes.

What this all means is that stay-at-home moms who write have to scale back their expectations. At least this stay-at-home mom does. (Also, I technically work part-time, and it’s a job — teaching — that requires a lot of extra work at home, i.e.: grading.)

So there are moments in my life when “Write every day” is just not happening. It’s not because I’m not disciplined. It’s not because I don’t love to write. It’s not because I have writer’s block. It’s simply because there are a lot more needs that need to be addressed before my writing.

I have to admit, it’s disappointing. I wish I could just wake up and write for two hours before work and then the rest of my days can be spent goofing around and going to the library or the zoo with my baby (and occasionally cleaning the house). But since I already have to get up at 6 a.m. for work, getting up at 4 a.m. is an impossibility. Seriously. It is never going to happen.

So my expectations are being lowered. Instead of writing and publishing two books this year and writing the rough draft of a third, along with a pilot script for a T.V. show, maybe I’ll just write one book (and maybe the rough draft of another). And maybe I’ll just outline that pilot script (and write the actual script next year). Maybe I’ll just have to be slow and (slightly) steady.

It’s not how I planned but maybe there’s something cool in flying by the seat of my pants. I’ve decided to be more of a plotter when it comes to planning and writing my novel, but maybe when it comes to my writing life, I can be more of a pantser. I’ll write when I can, flying by the seat of my pants and hoping that, eventually, I’ll land.

The Rough Draft Is Done!

Finished my Thirteen Treasures of Britain rough draft the other day. Whew!

Now comes the long march of revisions. I might just totally, utterly, and completely revamp my entire story. So that should be fun.

What’s weird is that I used to outline my stories in the past — lots of note cards, lots of outlines, etc. — and I found it made the process of actually writing to be a bit of a slog. I found that my inspiration kinda died if I did too much outlining and planning ahead of time.

So with Thirteen Treasures of Britain, I totally wrote by the seat of my pants (“pantsers” as they say in NaNo-realm). It was fun to write (until the end, where I had no idea how to finish the story in a non-lame way), but now I’m afraid what I have is a hodgepodge mess of a story that ends in a boring, predictable way. My endings always suck. But this one was particularly sucky because I didn’t have a plan going in.

Does this mean I really need to be a “planner”? Do I have to do a full outline beforehand? Do I need all kinds of character profiles and maps and background-y stuff?

It’s looking more and more like I do. And yet, I’m afraid that I’ll plan everything out and then be completely uninspired when I sit down to write. It’s happened to me before. Will it happen again?

Interestingly, when I was in college learning about screenwriting, it was pretty much hammered into our brains that we had to write treatments (basically, outlines in story-form), beat sheets, and scene summaries. And I never found these kinds of pre-writing tools to be soul-deadening or inspiration-crushing.

My plan for revising The Thirteen Treasures of Britain will include the following:

  • Rereading my rough draft and marking up sections (basic categories: keep it, toss it, needs work)
  • Creating a “BORG outline” (trademark: James Scott Bell in Plot & Structure) for a new version of the story
  • Seeing where I can combine material from my rough draft with my new story outline
  • Writing a second draft (using the new outline)

For now, I’m letting the draft settle and I’m working on pre-writing for an entirely different story (tentatively titled The Red Tower). I will return to the Thirteen Treasures of Britain rough draft in a week and go from there.

I’m kinda excited. Revision is one of my favorite parts of writing.

Ballantine Adult Fantasy and the Wonders of Cover Art

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I love the vintage book cover art from the 1960s and 1970s. My husband and I have an entire box of the Penguin Books classic covers as postcards (and we’ve even framed some and hung them in the house). But I most especially love the science fiction and fantasy cover art from that time. Whenever I stumble onto an older edition of something, I get more excited for the cover art than for the book itself.

So I was delighted to read Charles de Lint’s book reviews in the latest edition of The Magazine of Fantasy and Science Fiction. In his review of William Morris’s The Well at the World’s End, he mentions the Ballantine Adult Fantasy Series, edited by Lin Carter. I’ll be honest and admit I don’t know much about the publishers of fantasy and science fiction. I know a handful of names that are involved: Tor, DAW, Del Rey, Ace. I even own a couple of Ballantine fantasy books (The Tolkien Reader and The Last Unicorn), but I never paid much attention to the publisher (until now).

Searching for more about the Ballantine Adult Fantasy Series, I found reviews of the books and the history of the series, but most especially, I found the cover art. I spent my morning just gazing at the artwork. I love interesting cover art. Not just for books, but also music albums, comic books, magazines, anything with a cover. I should probably do another post just about how much influence the Beatles’ cover art had on my childhood. But suffice to say, I don’t need the latest self-publishing guide to tell me how important cover artwork is.

I have purchased books solely because of the cover art, and I’ve skipped over books solely because of the cover art (Case in point: I refuse to buy any other versions of the Chronicles of Narnia except for the ones with the original Pauline Baynes art, or the 1970 Macmillan/Collier versions, i.e.: the ones I stole from my brother to read when I was eight) (Another case in point: When I look through my daily Book Bub ads, I am put off by the cover art on almost every title; a book has to have an extremely strong description to get me to overlook the lame, garish, and often cookie-cutter covers).

The Ballantine Adult Fantasy Series is my cover art crack. Without sounding too “get off my lawn!” about it, I wish that fantasy fiction still featured such surreal and whimsical art. Just looking at these covers has gotten my imagination going and given me ideas for my own fiction.

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I can see where this style of art is perhaps too quirky and too dated to appeal to contemporary readers, but I find it fascinating. At some point, I’m going to have to start looking for a cover artist for The Thirteen Treasures of Britain, and I’m not quite sure what style of cover I have in mind. I wish I could get art that harkens back to the BAF covers, but that’s probably not a very smart business decision.

In the meantime, I can still gaze longingly at these beauties.

So where is my finished rough draft?

Yeah… not done yet. New deadline! January 13. (This is the nice part about being my own publisher…)

But…

I’m probably not gonna make that January 13 deadline either. It’s a busy time for me at work: Midterms. So that means I might have to reschedule this new deadline…

I am apparently the worst at meeting deadlines. The worst part of all is that I don’t feel like I’ve been goofing off (she said as she wrote this not-her-novel blog post). I’ve been doing work for my “real” job, taking care of my family, doing as much limited house cleaning as I can sneak in, eating. There haven’t been a lot of random Lord of the Rings marathons (okay, maybe one…), or binge watching Orange Is the New Black (which is what I was doing last year in January when we had an epic amount of snow/freeze days at my school) (I have been binge watching Comic Book Men, but that’s usually when I’m feeding my infant or playing with her on the floor, so it’s not like that’s interfering with my writing time).

I suppose I need to have more realistic goals. I have to face the fact that I’m not gonna be Johnny and Sean and write a zillion words this year. My original publishing plan for 2015 was to release three full-length novels plus a few short stories. I’m fearing this will not happen. I hate taking it slow; I want to get my stuff out there! But maybe the more realistic goal is to go at the pace my life allows. And my life right now does involve taking care of and raising a human being, so that’s kinda important.

2015: The year I try to live with more realistic goals.

New rough draft deadline: January 20

The Value of Side Projects

I’m stealing a lot of my ideas in this post from Austin Kleon, author of Steal Like an Artist and Show Your Work!

About two weeks ago, I organized a bunch of my old notebooks and stumbled upon an early one from my teenage years. Inside were many maps and names for a fantasy world I called “Kell.” I was surprised at how many of the place names and character names from this old notebook stirred ideas in my head. I’ve been mulling over an idea for a fantasy series set in an original world (i.e.: not a mash-up of mythology and folk lore, as The Thirteen Treasures of Britain is currently constituted). Basic set up is a young woman awakens to find herself in a room, which she discovers is in a high tower with only one window and no doors (think: Rapunzel). She has no memory of how she got there or who she is. This was all I had: the girl in the high tower (yes, I am aware of the Philip K. Dick-ish book title…).

What I really needed was a world for my character and her tower to exist in. Cue my old notebook. I started imagining all the ways to meld my story idea with my imaginary world of Kell. But then I stopped. Wasn’t I supposed to be writing The Thirteen Treasures of Britain and working toward my January 4 deadline? This girl in the tower idea was a distraction, right?

But then I remembered the words of Austin Kleon: “I think it’s a good idea to have a lot of projects going at once so you can bounce between them. When you get sick of one project, move over to another, and when you’re sick of that one, move back to the project you left. Practice productive procrastination” (Steal Like an Artist, p. 65).

This. This is how my brain works. I’m a bouncer. I bounce from idea to idea, exploring, going off on tangents, getting obsessed for several days in a row over one idea, one project, and I work like heck, forgetting to eat or to sleep, until that project is done, and then it’s back to the main project, and working on the main project, until slowly that gets done, but all the while, side projects bounce in and out.

This realization was freedom. I could knock off and spend two hours with my old notebooks and create backstory for my “Red Tower” world (which is what I’m calling the tower where my heroine is stuck), and strangely enough, this knocking about in my side project, has inspired more ideas for The Thirteen Treasures of Britain. The two projects are feeding off of each other and nourishing each other. Suddenly, what felt like a distraction was the very lifeblood for writing.

I’m really starting to realize that the most important thing is to always be working. If I keep working, if I keep creating, then I’ll be on the right track. It’s when I stop creating that things start to die.

Merry Christmas! And a few changes…

I hold to the old ways of celebrating the twelve days of Christmas. So happy Feast of St. John!

I’m on Christmas break (two whole weeks off from work!), so it’s been a good time for getting writing done. Unfortunately, I’m not where I wanted to be at this point in my novel, but I’m still making headway.

I am getting into the third act of my novel (I trained as a screenwriter, so my lingo is still very much screenwriter-ish), and it’s looking like the story will be shorter than I originally planned. At least in the rough draft stage. It’s possible that when I write the second draft it will get longer again, but for now, I’m looking at a 75,000 word rough draft instead of an 80,000 word one.

This is a bit of a relief, since I’ve been struggling to reach my word count goals each day. Maybe there’s just not enough plot/conflict/urgency in my story (which I’m hoping to fix in the second draft). I’ve also given myself an extended deadline. I’m off from work until January 5, so my new deadline is January 4. This means I’ve got to write about 22,000 words in the next week. This is still ambitious (my average words per day usually hovers around 1,100), but it’s doable.

I’m getting to the point in the rough draft where I can see how much editing needs to be done and I want to skip ahead to the editing/revision phase. It’s hard to focus on writing this crappy rough draft when I’m so desperately itching to focus on writing the much-better second draft. At this point, I just need to Get It Done, but it’s proving a hard task.

I will now rub my NaNoWriMo “Inspiration” sticker for some inspiration. Also, St. John the Evangelist and Apostle (whose feast we celebrate today) is one of the patron saints of authors and booksellers. Maybe his intercession will also help me.

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