Category: teaching (Page 5 of 6)

Symbols for Me

Last week, a student did a presentation about symbolism, and she had a couple of activities for the class to help them practice using symbols in their writing. One of her exercises was to think of a symbol (or symbols) that represented who we are. I tried my hand at it, since I like to write alongside my students, and started coming up with symbols for myself.

One was a 1970s Ballantine Adult Fantasy paperback with a wild, psychedelic cover.

Even though I was born in the 1980s, I’ve always been a bit of a throwback. I love old black and white movies, swing jazz, Beat writers, 60s psychedelic rock, and old-school fantasy. I don’t try to be strange or outlandish, but sometimes I can’t help it. I’m a weird person. And I often find myself outside the mainstream. I think the Ballantine Adult Fantasy series fits all of these qualities: old and dog-eared but still kinda interesting, weird and psychedelic, and outside the mainstream.

The other symbol I came up with was a wooden sword from the Renaissance Festival.

This one symbolizes me because it’s essentially a toy sword, but way cooler than something you’d find in a Toys ‘R Us, and I’m not the kind of person who wants to wield an actual weapon or be a real knight, but I like to pretend, I like to play, I like to imagine. The wooden sword is a tool for the imagination.

And because the Renaissance Festival only happens once a year (and I didn’t always get a chance to go when I was a kid), the wooden sword holds a special kind of allure: rare and precious, something long sought-for but rarely achieved.

Just to be clear: I’m not saying that I’m “rare and precious” or “something long sought-for but rarely achieved.” Instead, I mean that my desire to get one of these swords symbolizes so much of my life: wanting things that are hard to find, desiring something that seems just out of reach. The Renaissance Festival sword is every longing of my heart, every wish I wished as a kid.

My last symbol symbol for myself is this:

A cup of black coffee.

Why? I’m bitter and make people jittery.

Avoid Cliche

Today in class the students learned about cliche: what makes something cliche and how to avoid using cliche in one’s writing. The activity we did to practice avoiding cliche involved looking at a photo of a starry night sky and writing descriptions that avoided the obvious cliched descriptions like, “The stars shone like diamonds.”

(This lesson and activity, by the way, was taught by one of my students. They’ve all been taking turns teaching the class about literary/rhetorical terms and facilitating writing activities to reinforce the lessons.)

Since I try to write alongside my students, I too participated in the activity. My attempt was as follows: “The stars were flecks of milk painted on the faded gray of an old barn.”

I’m not sure I like this description, but it does make me laugh to think of the stars as flecks of milk. It’s definitely a weird way of describing something we typically think of as beautiful.

Anyway, I avoided using a cliche.

Three metaphor poems

Today I worked with my students on writing metaphor poems. The activity was as follows:

  1. Make a four-column chart.
  2. In the second column, write at least five concrete nouns (ex.: horse, star, hat, lamp, feather).
  3. In the third column, write at least five action verbs (ex.: ride, laugh, play, dance, stroll).
  4. Then in the first column, write a body part (facial body parts work well here). Ex.: hand, lips, eye, cheek, heart.
  5. Using the three columns, write the beginning of a sentence that includes a metaphor. It should follow the pattern “My _________ is a __________ __________ing…” Ex.: My hand is a feather dancing…
  6. Then complete the sentence with either a word or phrase that completes the metaphor. Ex.: My hand is a feather dancing over the clouds.
  7. After doing this several times with different words from the chart, choose one metaphor sentence to extend into a poem. Write ten to fifteen lines that answer when, where, what, why, and how. Use concrete sensory details to extend the metaphor and paint a vivid picture for the reader.

(N.B.: I did not invent this writing exercise, but I don’t remember where I found it. My apologies to whomever created this activity. If anyone knows where this exercise comes from, please let me know so I may give credit.)

I taught this lesson several times today, and each time, I modeled the activity for my students. I tend to do my modeling in front of the students; I draft my writing up on the board and talk through my process as I go. As a result, I wrote three metaphor poems today. They’re all quite strange, a bit nonsensical, but I’m hoping their strangeness might give the students permission to also do weird and experimental things in their writing.

Here they are:

#1

My eye is a hat reading beside a lamp,

A fuzzy hat, made of wool, soft and warm in the shelter of my bedroom.

The book is an old favorite, something with mysteries,

And love, and adventure. Something that never gets tired or stale.

It’s night, and the time for reading has come — a time to forget,

To put aside urgent cares, to rest, to relax.

The lamp is yellow light, a soft sun in the presence of darkness.

My eye fits down over my head, covers my cares, floats atop

The pages.

 

#2

His mouth is a garbage can strolling around the museum.

It can’t help dropping its filth onto the marbled floors.

It’s after hours, the night watchman gone, the whole place silent.

But his mouth is hungry, looking for more trash, looking for more

Forgotten things.

The museum is filled with empty frames: artwork dismissed by the masses.

The garbage falls on the walkways and on the walls. Hunger is insatiable.

His mouth searches for the cafeteria but finds only Cubists.

Opening his tin lid, he devours a Monet, then a Warhol, then a Basquiat.

Genius is compacted into a landfill.

The garbage can burps.

 

#3

My heart is a computer singing along with the radio.

It’s a pop song, old school, Hanson or maybe NSYNC.

The 16-bit melody screams out of the computer’s speakers,

Unnatural but in tune. There is no strain on the processor.

Programmed to obey, my heart paid extra for more memory.

Uh oh, 403 error. Bad code. Forbidden. Blue screen of death.

Time to go to the Apple Store.

Poem #9

I gave my students a prompt today for our “writing workshop.” It was as follows: “Write a list poem using only CONCRETE NOUNS. Make the title an abstract word such as: Compassion, Jealousy, Envy, Wisdom, etc.”

Since I believe it’s important that I share in the work my students do (especially when that work is writing), here is my poem. Not sure if I like it, but in the spirit of “show your work,” I’m sharing.

 

Time

Bed sheets.

Pillow.

Alarm clock.

Pillow.

Cat claws.

Coffee cup.

Soap.

Boots.

Mittens.

Rosary beads.

Notebook.

Sticky notes.

Screens.

Screens.

Screens.

Bells.

Diet Pepsi.

Peanut butter.

Steering wheel.

Dinosaurs.

Crayons.

Toothbrushes.

Books.

Binkies.

Kisses.

Tears.

Hugs.

Nightlights.

Dishwater.

T.V.

Vitamins.

Books.

Bed sheets.

Pillow.

Pillow.

Pillow.

Trusting the process

So I went on a bit of a rant today in my AP Lang class. I brought up the “love boredom” quote from Atomic Habits because a student was wishing/complaining that she wants to be good at things instantaneously. To her credit, she admitted that this was an unrealistic attitude, and she knew that it takes practice and diligence to become good at something. But still, she wants to be good right now, dagnabbit! (I might have added the “dagnabbit” part…)

We were talking about writing, but this could apply to anything, and despite my attempts at sage advice, I can understand where this student is coming from. Several months ago I started a new hobby: naalbinding. I have never knitted before, can barely sew, and I’m not great at spacial reasoning (nor am I nibble of finger). Which means that naalbinding does not come easily. So far I’ve only managed to make a wonky hat that’s too small for anyone in my family to wear (though it fits pretty nicely on a stuffed animal). I am now attempting to make hand-warmers.

It is not going well.

I wish I was amazing at naalbinding. I wish I was good right now. But I know I’ll probably suck for awhile. And what’s hard is trusting the process: trusting that if I practice I *will* get better. It’s the same feeling I’m sure my student has. She knows it takes practice and diligence, but when there’s little-to-no progress — especially in the early stages — it’s hard to trust. It’s hard to put faith in your abilities when the evidence right in front of you is that your abilities stink.

I often wonder what would happen if I practiced naalbinding every day for an entire year. Would I ever be able to make a good hat, or mittens, or socks? If I’m honest with myself, probably not. Maybe. I don’t know. I’m sure I’d get better at it, but “getting better” is not quite the same thing as “getting good.” And I think that’s where my student (and I) both get demoralized. Yes, practice can lead to improvement, but can it lead to mastery? Can it lead to being the kind of writer or naalbinder that we might want to be?

I wonder if sometimes we have to temper our goals. Or better yet, not have any goals. Not to sound defeatist, but if the activity (writing, naalbinding, baking, running, etc.) is something we do for its own sake, then it won’t matter if we master it or not. DOING the activity is its own reward. This mindset is hard to achieve, though. We have to *love* doing the thing, despite our mediocrity. And it can be hard to develop a love for something if we aren’t very good at it.

At some point, we either decide we’re “okay” with mediocrity and keep doing the activity, trusting in the process and knowing that practice will make us better even if it never makes us “good.” Or we give up the activity and move on to something else.

I’m not sure where I stand yet with naalbinding. Part of me wants to “conquer” it: to become really, really good. To prove that I can do it.

But another part of me just enjoys moving the needle through the loops and around my thumb, even if the finished piece kinda sucks.

I’m also not sure where my student stands. Does she want to become a great writer just to say, “I did it!”? Or does she genuinely enjoy moving pen over paper, stringing words together, sharing her ideas through writing?

If it’s only about results, then it’s hard to trust the process. The results may never come — especially if our goals are too high. But if we want to do better — not great or even good, just better — then practice works. The process works. We have to trust it.

Boredom

The only way to become excellent is to be endlessly fascinated by doing the same thing over and over. You have to fall in love with boredom.

James Clear, Atomic Habits (p. 236)

I’m always blathering about practice, practice, practice. My students are probably sick of hearing me wax on about how “even professional musicians practice their scales,” or how basketball players “can never do too many free throws.” But even if they’re sick of my blathering, I’m not gonna abandon my mantra: writers have to write. And the only way to get better is to practice, to form the habit, to do the work everyday.

Often, when I conference with my students individually, I hear them express a sincere desire to get better at writing. But when I give them daily opportunities to write in their writer’s notebooks, many of them don’t seize the opportunity. They do other work. Some of them read a book (which I always encourage), while others try to get caught up on their homework (which I always discourage; do your homework at home, kids!). But the same students who say they want to get better at writing don’t use the time and space I give them in class to practice their writing. The reasons are usually some flavor of “I’m not inspired!” and I quietly remind them that it’s not a good plan to wait for inspiration. Inspiration is fleeting and unpredictable. We can coax the muse by reading a lot, listening to interesting music, looking at interesting cinema, going places, paying attention, taking walks, etc., but even if we feed our muse daily, she’s a fickle creature and won’t always come out to play.

James Clear’s quote about boredom distills a lot of what I’ve been trying to help my students understand. The only way to get better at writing is by doing it OVER AND OVER. The writer’s notebook is one tool that I’ve found immensely helpful; it’s a space where I can write every day. It’s an easy method for making something habitual. Those students who have embraced their notebooks, who have used them frequently, almost daily, are the students who have seen the most growth in their writing. I’m sure they didn’t sit and wait for inspiration. They wrote in their notebooks consistently, letting the routine snowball into something habitual, and eventually that repetition and consistency paid off: they developed the skills they were hoping for.

But for the students who were always waiting for inspiration, the habit never formed. They wanted to get better at writing, but they weren’t able to “fall in love with boredom,” i.e.: the work of writing everyday, even when they were tired or didn’t have anything to write about or didn’t feel inspired.

I can relate to these students, believe it or not. For many, many, many years, I courted inspiration and only did my work when the “heat” was in me. I had a lot of cool ideas and did some good work, but NOTHING ever came from it. And yet I kept waiting for the muse to carry me off into the wild night. I kept clinging to the idea that art couldn’t be forced or mechanical, that it had to be spontaneous and passionate all the time. And so I never really finished anything worthwhile until I realized — at long last — that waiting for the muse meant waiting my whole life.

After long years and many failures, I know now that I’d much rather write every day — even if I’m not inspired and the words are dross — than to write only in fits and spurts and never make any headway. I’d much rather do the same thing over and over, because it’s in the DOING that I derive my most pleasure. And it’s also how I’ve gotten better. My ability to write didn’t materialize overnight or just by wanting it “badly enough.” It happened because I practiced, and just like the musician and basketball player, I keep practicing. Everyday.

Yes, this means “falling in love with boredom.” Boredom means pleasure… when it’s practicing something you love.

For my students who want to get better at writing, they have to find a way to fall in love with boredom too. They have to be willing to play the scales, run the reps, shoot the free throws, and put pen to paper in order to improve. It’s not glamorous or thrilling. It’s not the muse dancing under starlight. It’s about doing the work, every day. And like a miracle or a magic spell, once the habit forms, it transforms boredom into love.

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