Category: role-playing (Page 3 of 3)

The Things That Shaped Me: MERP

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My parents always loved making a big deal out of birthdays, but my tenth birthday was by far the biggest deal they ever made. They decided we were going to drive to Chicago for a family trip (we lived in Michigan, for geographical frame of reference). Why Chicago? Why my tenth birthday? I have no idea, but I made no objections. Who wouldn’t want to go to Chicago for her birthday? We were going to stay at the Water Tower Place hotel, eat at Ed Debevic’s, visit the Field Museum and the Shedd Aquarium, AND — this is the thing my ten-year-old brain was inexplicably most excited about — we were going to bring a portable TV/VCR in the minivan so my brother and I could watch movies during the long drive (this anecdote tells you how old I am that DVD players and screens didn’t come pre-installed in vehicles).

We rented a slew of movies, but the one I remember most was The Hobbit — not Peter Jackson’s Hobbit franchise (which hadn’t been made yet) — the Rankin-Bass animated movie from the 1970s.

This movie… let’s just say, this movie will make a future appearance in The Things That Shaped Me series.

We watched it on the way to Chicago and then on the way home to Michigan, so it served as a bookend to the birthday trip, an opening act and a closing act. I was obsessed with The Hobbit — book and movie — and by extension, Middle-Earth. But only The Hobbit-version of Middle-Earth. I hadn’t read The Lord of the Rings yet.  At ten-years-old, I wasn’t a good enough reader to handle the lengthier, weightier Rings books.

20200602_152858But I loved Tolkien’s world: the forests; the mountains; the dragons, goblins, elves, and dwarves. Mirkwood was as real to me as the little patch of woods that surrounded my grandmother’s house. The Misty Mountains were unspeakably enchanted, a world within a world filled with treasure, ancient lore, and shadowy creatures; I longed to travel there. And the map of the “Wilderlands” and Thorin’s map were like sacred manuscripts.

Although the trip to Chicago was exciting, what I wanted more than anything for my tenth birthday was something much simpler, and at the same time much stranger: I wanted the boxed set for MERP: Middle-Earth Role-Playing.

20200602_153018Back in those days, I had never played a role-playing game before. Frankly, I didn’t have anyone to play a role-playing game with. But I wanted MERP. The cover illustration alone was worth it. Also, there was something dangerously appealing about role-playing games. These games came with a dark reputation back in the 80s and early 90s. I was forbidden to play D&D; I had to work hard convincing my parents that other RPGs were okay and not gateways to Satanism. Somehow, I convinced them that MERP was alright. Maybe they figured a Tolkien-influenced game couldn’t be too bad. But the mystique, the forbidden quality of RPGs was still there, even if the cover said “Middle-Earth Role-Playing” and not “Dungeons and Dragons.”

The old MERP game came in a box, with the core book and several other supplements, including cardboard playing pieces and two ten-sided dice. Whenever I see pictures of the old MERP books — the core book, the different supplement books for the peoples and creatures of Middle-Earth — an overwhelming wave of nostalgia washes over me. I can’t quite explain it; like all old memories, it’s both intense and inexplicable. I can see and smell and sense all the moments from those old days, but I cannot make you see and smell and sense them in the same way.  Memories are like dreams; once we start to tell about them, they inevitably lose their magic, they become pedestrian and plain, they don’t capture the electricity and potency of what we see in our heads. Opening that box-set on my birthday and seeing those Angus McBride illustrations, holding the cardboard cut-outs and the ten-sided dice — it’s a feeling I find hard to describe. When the opening pages of the core book promised that “this game lets you step out of this world and stride boldly into Middle-earth,” I believed it: I was going to stride into Middle-Earth. I was going to experience adventures I’d never experienced before.

20200602_152810This memory is so strong, so central to my childhood, that I know I cannot convey to you what it really felt like. Flipping through the old MERP books brings me back to the past, to being ten-years-old, to being in the backseat of our minivan, watching the Rankin-Bass Hobbit, to being a kid who loved fantasy and who felt like she had to hide that love from the outside world. And there was the forbidden danger of role-playing games: the thrill of reading something that was maybe a bit too adult, a bit too beyond my ken.

Whenever I look at those MERP books now, after all these years, I feel the excitement of ten-year-old me, the sense that I’m about to embark on a strange, unknown, wondrous adventure — like Bilbo stepping outside his door to find the Lonely Mountain. But how can I make you feel these same feelings, or catch a glimpse of what they mean to me? I can’t. I can only hope that perhaps you loved MERP as a kid too, or that you know what it feels like to watch The Hobbit while the moon is rising between the clouds on a summer’s night.

Inspirations: Dungeon Crawl Classics RPG

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The Time: Free RPG Day 2017

The Place: a FLGS in Howell, Michigan

The What: Finding a copy of the 2017 Free RPG Day Dungeon Crawl Classics Quick Start Rules

The Result: Nothing.

I skimmed through the rules, liked the idea of The Funnel (where players create 0-level characters, like farmers and urchins and such, and then run them through an arduous dungeon and see who makes it out alive; livers get to become 1st level characters), and promptly moved on to other things.

I wasn’t really looking to run a new rpg. I had given up being a GM after some rocky experiences with a couple of game systems, my husband was taking over the GM role, we were looking at maybe playing some indie games or maybe even The One Ring RPG, but Dungeon Crawl Classics was just this little slim booklet with the cool cover.

But man, that cover. Every once in awhile, while working at my writing desk, that cover would peak through the stack of books surrounding it and I’d start dreaming. The strains of a Led Zeppelin mixed tape would waft through my brain. The feeling of forbidden adventure would beckon, as if I was ten-years-old again, hanging out at the library and gazing greedily at the AD&D 2nd edition books on the shelves, wishing my mom and dad would let me read them, wishing I could travel across Krynn, down into the bowels of a sorcerer’s underground fortress, to speak with dragons and steal magic swords. The cover of DCC’s rule book made me feel all that and more. It tempted me. Intrigued me.

But still, I didn’t go back to it. I was done GMing. We hadn’t role-played or even played board games in a long while. DCC was just a neat cover with some crazy rules inside. I wasn’t going to get caught up in it.

And then, about two months ago, I did. I grabbed the quick start rules again, read through them, loved the artwork, got somewhat inspired to Game Master an adventure (called “Judging” in DCC), and then told myself I was just flipping through the book to get ideas for Ysbaddaden and the Game of Chess. But in the midst of my inspiration-seeking idea-getting I found out I was kinda falling in love with this game. The art. Did I mention the art? It’s so freakin’ old school it makes my ten-year-old heart swoon. The game play (especially the magic) is all about wild, unexpected and chaotic shit happening; I loved the unpredictability, the anything-goes ethos. It WAS inspiring; I felt like my fiction had become too staid, too boxed in, and then DCC came along and said, “Go ahead, do something crazy. Nothing is off-limits. Fantasy doesn’t have to fit into neat boxes.” And now I’m ready to write almost anything, to let my imagination go wild, to write as if I’m a kid again, which is what DCC makes me feel: like a kid.

And kids play. Kids make up crazy shit. Kids aren’t bound by what’s expected or what’s “part of the genre.” Kids just know what feels fun, what excites them. DCC does that. It’s the rpg that speaks to my inner twelve-year-old.

I feel like games can be an awesome source of inspiration. They aren’t “literature” in the typical sense, but they do possess many of the features of narrative: setting, characters, conflict. With tabletop rpgs especially, players are encouraged to create a story together, to weave a narrative from the various numbers and statistics and dice rolls of the game. And with board games too, the imaginative elements are there for crafting stories. What else is the book Jumanji all about, after all? As soon as I finished rereading the DCC quick start rules this last time, I started writing a short story based on the zero-level funnel included in the book, “Portal Under the Stars.” Rpg fan fiction, basically. Something I have never done in my life, but DCC inspired me to do.

So yeah. I bought the core book. I’m reading it now and having all kinds of ideas. I haven’t GMed a game yet (planning on doing a modified version of Beyond the Silver Scream), but when I do, I hope it’s as fun and kick-ass as the game in my head. Regardless of whether I play the game or not, DCC still serves as fertile ground for my own storytelling. The feeling of the book — the vibe it gives off — is energizing. It fills me with the gusto I need to be creative.

The Golden Age of Geekdom

thI decided to set my series, Merlin’s Last Magic, in the 1980s because, for me, the 1980s were the “golden age” of fantasy-related stuff: Conan. Red Sonja. Labyrinth. The Dark Crystal. The Last Unicorn. The Neverending Story. Ladyhawke. Dragonslayer. Legend. The Dragonlance Chronicles. HeroQuest.

I grew up in the 80s, and because fantasy seemed to be everywhere during that decade, my imagination was fertilized by all of these movies, books, and board games. In writing Merlin’s Last Magic, I wanted to give a little nod to the decade that nurtured me.

But as I was preparing to write this post, I realized that perhaps the 1980s weren’t really the golden age. Or, if they were the golden age, then perhaps they’ve given birth to an even more exciting and fertile age for fantasy genre stuff: Right now.

I contend that perhaps it wasn’t the 80s at all that were THE decade for fantasy lovers; perhaps that time is now. Perhaps we are living in the true golden age at this very moment (the Platinum Age, perhaps). Just look around: fantasy and science fiction have never been more mainstream or popular, from HBO’s Game of Thrones to the Marvel movies to fantastic writers like Patrick Rothfuss, Brandon Sanderson, and Neil Gaiman (all of whom are being courted by Hollywood for big-budget adaptations of their work).

Being “Geek” is cool. Nerds no longer hide their obsessions but display them proudly. San Diego Comic-Con (not to mention the dozens of other conventions that have gained prominence in the last decade) has become Mecca not just for comics nerds and sci-fi geeks but for big-name celebrities and the mass media at large. When I was twelve, I tried to hide my love for J.R.R. Tolkien and Middle-Earth; when I turned twenty, Peter Jackson’s The Fellowship of the Ring was debuting in theaters, and suddenly, I didn’t have to hide anymore.

I think this new geek renaissance can be credited to both Jackson’s films and the Harry Potter phenomenon. Without either of these two creations, my fellows geeks and I would most likely still be part of a niche genre, something that the “wider world” looks down on with slight disdain. But because Jackson’s movies were incredible international hits, and because Harry Potter continues to be a straight-up juggernaut in the film and literature worlds, suddenly being “geeky” was cool. The media at large (and the people who consume it) are always gravitating towards what makes money, what sells. And starting with Harry Potter and the Lord of the Rings movies, fantasy started to sell, and sell hard.

The success of the Game of Thrones TV show has cemented fantasy as a genre that adults can and should enjoy. Now we have TV shows like The Magicians, Vikings, and American Gods, (not to mention the Marvel and DC superhero shows), and no one is hiding their fandom for these SFF stories anymore. We are allowed to like (and even love) fantasy and science fiction in a way that was just not possible in the 1980s.

But we can’t dismiss the decade of my childhood. The golden age of geekdom that we are experiencing now is a direct result of the fantasy and sci-fi of the Reagan Decade. What do so many of today’s popular novelists, showrunners, and screenwriters have in common? We came of age in the 1980s (or at least, many of us did). We grew up soaking in the realms of Krynn and Fantasia and Thra. Our heroes were Conan and Molly Grue. We played endless hours of D&D and HeroQuest and Warhammer and turned all of those adventures into our first, fumbling stories and novels. Without the incubation of the 1980s, the golden age of today wouldn’t have happened.

For my own part, The Thirteen Treasures of Britain and the Merlin’s Last Magic series wouldn’t exist without the countless hours I spent reading Rosemary Suttcliffe’s Arthurian books, watching Excalibur when I was probably too young to be watching it, and playing Pendragon role-playing game (which, technically, I first discovered in 1990, but who’s counting). I learned to tell stories — and I learned to love telling stories — from reading MERP and RuneQuest and other fantasy RPGs, and then creating my own fantasy worlds in which to role-play. I fell in love with the realms of heroes by devouring books by Raymond E. Feist and Tracy Hickman & Margaret Weis. I became lost in the kingdoms of Faerie by watching Labyrinth, The Neverending Story, and  Willow like they were on an unending loop.

The stories I write now are the children of the stories I wandered in during my childhood. We are in an incredibly fertile age for fantasy and science fiction. But we cannot discount the debt we owe to the 80s. The cheesy special effects, the cliche story lines, the underground and misfit-like nature of these movies and books are there for us to see, in the hindsight of 30+ years. But these things do not diminish the magic and sway these stories still hold over us. If the future looks bright for SFF, it’s only because our destinies were forged in the fires of the gloriously geeky 80s.

The Things That Shaped Me: Lone Wolf RPG Adventure Books

IMG_20160418_171337_829I’m an incredibly nostalgic person.

It also seems I’m not alone, judging by the popularity of stuff like Stranger Things and Ready Player One.

In order to feed my ever-ravenous nostalgia, I’ve spent many an afternoon on eBay tracking down copies of the old tabletop role-playing games I used to own as a kid: MERP, the TMNT role-playing game, Pendragon.

I loved RPGs as a kid. Every time I went to Waldenbooks, I seemed to leave with another game tucked under my arm. But buying and reading a role-playing game is very different from actually playing one. I learned early on that RPGs only work when there are other people interested in playing them with you.

This became a problem for me. Occasionally, I could rope my brother or some of my cousins into a game. Other times, my brother and his friends down the street would play Battletech and I’d try to shoehorn my way in (unsuccessfully). Most of the time though, I just sat in my bedroom and re-read the rule books. I made up various adventures, characters, and campaigns that I never got to play.

Then, on a day I cannot remember with any clarity, I stumbled upon the Lone Wolf Adventure books. It must’ve been in a Waldenbooks, but honestly, I can’t remember.

IMG_20160418_171607_374The Lone Wolf books were perfect: Choose Your Own Adventure meets solo-RPGing.

Unlike a typical Choose Your Own Adventure, I got to make choices even before the page-flipping began. I could “create” my character: choose his skills, his items, his weapons.

Perhaps best of all, there was a method for combat. The Random Number table served the same function as the twenty-and-twelve-and-ten-sided dice of normal tabletop role-playing. It was far more interactive than a typical CYOA, and it was high fantasy with a dark, D&D-kinda feel. I felt very grown-up playing the Lone Wolf books; almost like I was a teenager. They helped satisfy my desire to play a “real” role-playing game. I still longed to find someone willing to play RuneQuest with me, but Lone Wolf was enough to keep me happy.

IMG_20160418_172037_031Unfortunately, in the pre-Internet age, it was hard to find many Lone Wolf books. I’m not sure I ever found more than two. Just as quickly as I had found them and loved them, I had met a dead-end.

Flash-forward to today: I had completely forgotten about the Lone Wolf books.

Then my husband came home from work carrying three rough-edged mass market paperbacks on top of his stack of paperwork. (Important note: my husband works for a charity that runs a bunch of resale stores.)

“Found these in one of the thrift stores today,” he said. “Thought you’d like them.”

I looked at the books. The dawning realization that I’d seen them before — somewhere in the distant reaches of my childhood — overwhelmed me.

“I know those books,” I said, awed.

They were the Lone Wolf Adventure books.

IMG_20160418_171112_623Then I laughed almost hysterically. It was like seeing a long-lost best friend while standing in line at the DMV.

Books 3, 14, and 17.

IMG_20160418_171826_890I started with Book 3. Every page was dripping with nostalgic memories: the map at the front, the “Action Chart,” the “Combat Results Table.” I resisted the urge to look up anything on the Internet about how to “win” the adventure. I wanted my experience to be fresh, untainted.

I started the adventure on a Saturday afternoon, and by Saturday evening I had fought with ice barbarians, survived the attack of a crystal frostwyrm, made my way through the underground depths of Kalte, and defeated the evil wizard Vonotar without once having to start over. I was stoked. I immediately went to Amazon.com and ordered Books 4 & 5.

Even though I had scoured the interwebs to find copies of the old RPGs I used to own, I still hadn’t been able to find anyone else to play them with me (the story of my life, alas). That’s the trouble with tabletop RPGs: they aren’t made for solos. But the Lone Wolf Adventure books are the antidote for the lonely RPG-enthusiast. They fed my need for role-playing as a kid, and now as an adult, they’ve nourished my ever-hungry nostalgia.

I’ve got Book 4, The Chasm of Doom all queued up, and frankly, I can’t wait.

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