Author: JennyDetroit (Page 49 of 52)

The Things That Shaped Me: Labyrinth (1986)

Chilling_2If I had to pick the people who had the greatest influence on my imagination as a child, there’s a trifecta of artists who stand above the rest: C.S. Lewis, J.R.R. Tolkien, and Jim Henson. Lewis and Tolkien were definitely my literary influences and I’ll write about them in future posts. But even before I had read The Lion, the Witch, and the Wardrobe or The Hobbit, I knew the Muppets. The Muppet Show, Muppet Babies, Sesame Street, and Fraggle Rock were constants in my childhood. Fraggle Rock especially loomed large. Partly because I could only watch it over at my aunt’s house (she had HBO), and partly because the world of the Fraggles, and Gorgs, and Doozers was a fantasy world, a secret world beyond our ordinary one.

I have always been fascinated by secret worlds, by places beyond the normal, by fairy lands and other dimensions. Which brings me to Labyrinth. When I watched Labyrinth as a young girl, I identified with Sarah completely. The storyline was what I hoped my life could be like: an imaginative girl, who longs to retreat into her fantasies, makes a wish and gets to have an adventure in a magical world filled with strange creatures. If only that could somehow happen to me!  (Unfortunately, I didn’t have a little stepbrother that I could ask the goblins to take away, precipitating my entrance into the Labyrinth in order to rescue him. Alas!)

It’s the creatures and the world of the Labyrinth that captivated my imagination (they still do!). No one does fantasy creatures better than the Henson Creature Shop, and Brian Froud’s designs pretty much define “fantasy” for me. The fact that the movie uses puppetry and real sets to create its world is why I think it continues to hold up nearly thirty years later. Jennifer Connelly isn’t just interacting with a tennis ball on a stick in front of a green screen; she’s *really* interacting with the creatures we see. When I was a child, the world of the Labyrinth *was* real; I watch the movie now and think the same thing. Those creatures, that maze, the goblin city — they’re real. Perhaps they’re not really magical creatures in a magical world, but they are physically real. They exist just as much as David Bowie or Jennifer Connelly exist. Somewhere in a closet in the Henson Creature Shop is Ludo and Didymus and the Junk Lady.

I also love the film because it’s a mash-up of so many different influences, and mashing up influences and creating something new is what I strive to do with my own fiction. There’s the German/Northern European influence with the goblins and many of the creatures; the Dickens influence with the little worm at the beginning; there’s a bit of Wizard of Oz; a bit of Where the Wild Things Are; the Escher paintings at the end; there’s even a steampunk element with some of the contraptions the goblins use. I love that Labyrinth is a hodge-podge. Dark Crystal was more of a unified, cohesive world — and I think that movie is amazing — but my heart is actually closer to the everything-and-the-kitchen-sink approach of Labyrinth. I love surprise and variety, and Labyrinth never fails to give me those two things.

Reaching Half-Way and Other Thoughts

I am officially past the half-way point of 13 Treasures of Britain.

I’ve also gone through and eliminated about six chapters that I planned on writing on the back end of the book. Basically, I tightened up the story. I really feel like once the book hits its second turning point (roughly Chapter 17 at this point), it should be going at a faster pace (like a roller coaster heading downhill). So I’ve shortened things down from 32 chapters to 26 chapters. This means, from Chapter 17 to Chapter 26 (i.e.: the end), the story is flying.

I eliminated a lot of chapters in my outline where the description was something lame like, “Merlin fights monsters.” Those nothing-burgers were nixed. I really had no idea what was supposed to happen in those chapters, so there was no point keeping them around.  I’ve found that by shortening my outline and cutting to the chase, I’ve made the second half of the book a lot stronger.

General writing rule #48: Cut through your story with a giant scythe and watch as the story instantly flows better. Cutting to only the scenes you *want* to write almost always makes the story tighter (even if that means cutting out what seemed like necessary information).

Closing in on 40,000 words…

I am getting close to the half-way point for my rough draft of 13 Treasures of Britain. I should reach 40,000 words this weekend.

I’m freaking out a little bit that my deadline is December 30 and I’m still not half-way done, but I am also strangely confident.

On the other hand… I have a sinking feeling that I’m suffering from a “main character problem.” To be specific, I’m afraid that I have a flat main character whom the audience won’t care about. My challenge is to find a way to get the audience to care about my Merlin character. Is the “save the cat” thing played out, or do writers still do that?

In a lot of ways, I’ve imagined my version of Merlin to be like a mixture of the Peter Capaldi and Christopher Eccleston versions of Doctor Who. But the first half of the book is mostly Merlin-collecting-things and doing crazy stuff (think: the first half of a Doctor Who episode, where the Doctor travels to another planet and encounters some treacherous situation). In a typical episode of Doctor Who, the emotional stuff usually builds in the second half, particularly when we find out there’s more to the adventure than the Doctor originally thought.

My problem is that I’m not writing an episode of television; I’m writing a novel. So for 40,000 words (100+ pages), the emotional stuff hasn’t come into play yet. It will happen in the second half of the book, but will the audience lose interest before that?

I can already foresee a ton of editing and revision once I’m finished with the rough draft. Which is actually exciting. I’m a weird person in that I LIKE revising. I’ve just got to keep the “inner editor” at bay for a few weeks more while I finish the rough draft.

I am not a fan of Christopher Nolan’s movies…

1406280448_Christopher-Nolan-Interstellar-2014-Movie-Wallpaper

…and yet I really want to see Interstellar. The only Nolan movie I really like is Memento; Batman Begins is okay, but I’ve found no desire to revisit it since seeing it in the theater.

What’s crazy about my desire to see Interstellar is that it sounds like it commits some of the same “over-explaining” sins that drove me crazy about Inception (a film I found to be utterly unpleasant to watch). And yet, the siren call of Interstellar keeps drawing me towards it. I love that it sounds like an old-school science fiction story — shades of Arthur C. Clarke and the great science fiction of the mid-2oth century.

I love Ray Bradbury’s Martian Chronicles, and from some of the reviews I’ve read it seems like Interstellar explores some of the same territory as Martian Chronicles. I enjoy space travel stories that have a sense of awe and wonder about them.

Unfortunately, I’ll probably see the movie and end up disappointed — which is often my reaction to any Nolan film. He promises such heights, and yet never quite delivers. And yet…

Interstellar_trailer2

NaNo 2014: Week #4 Recap

Here it is. The last day of NaNoWriMo 2014. And….

I didn’t reach my word count goal. I didn’t even come close, really. My goal was 50,000 words. As of this moment, I’m at 35,006 words. Not too bad, but not where I wanted to be.

In past years of NaNoing, I used the Thanksgiving holiday to get a huge chunk of words written. This year, I wrote less this Thanksgiving weekend than I did in each of the previous three weekends. Having a husband and infant child means that holidays are spent watching the kids, conversing with family, and traveling. In years past, I didn’t have these responsibilities, so it was no big deal to sneak off after dinner and write for three hours. This year… not so much.

So alas! I really thought I could hit 50K this year. I still have plenty of time to reach 80,000 words by December 30, so I’m not panicking yet. But it would’ve been nice to only have 30,000 more words to go than 45,000 words.

I will say that this year’s NaNo was a success for me in terms of my discipline as a writer. I managed to write every day (except Thanksgiving, and that’s a national holiday, so I don’t feel too bad). Writing every day was my personal goal for NaNo 2014, and in that sense, I “won” NaNo.

I’ve also learned a few things about my habits and preferences as a writer:

1. I’m actually a morning writer. This surprised me because I’ve always been such a night owl in the past. But now I find that if I can get 1,000 words written in the morning, my day goes much better and I spend the rest of the day thinking about the story and getting ideas. I still end up writing a little in the afternoon or evening, but the morning is where my fingers really get flying.

2. I NEED to write every day to keep my imagination flowing. Even one day off breaks the momentum and messes with my flow. As Kerouac said, “Write while the heat is in you.” I’ve got to write every day to keep the fire stoked and burning hot.

3. I need to read on a regular basis. Reading also stokes my creative fires, and I need the stimuli of other people’s stories to keep my own story going. I haven’t done much reading for pleasure since becoming a teacher because so much of my time is devoted to reading for class or grading papers. I have made a concerted effort to read for pleasure this month and I think it’s really inspired me with my own writing.

4. I need to jump around in the story and not write linearly. I found myself getting stuck earlier this month when I came to a part of my story and didn’t know where to take it. This caused several wasted hours “thinking” instead of writing. Once I started jumping around and writing whichever part of the story I was most interested in at the moment, I found that my writing time was actually spent WRITING and not sitting around waiting for inspiration.

5. I need to do other types of writing beyond just working on the novel. Doing these blog posts (and also blogging elsewhere with some of my students who are doing NaNo) has helped give my mind a rest, particularly when I’ve had to plow through some rocky patches in the novel. Blog writing is easier, and it’s not really “creative” in the same sense as fiction writing is. But it’s still writing, and it’s a nice way to keep my fingers moving and words flowing. Sometimes I need that warm-up (or cool-down); it’s almost like stretching before and after a run.

As a final note on NaNo 2014, I’m always amazed with how NaNo helps me stay focused and gives me a purpose. No one needs a “contest” like NaNo to write a novel, but for some reason, these 30 days are so special. Somehow, the month of November has a magical quality; it lights a fire under us and keeps us honest. 50,000 words or not, I’m proud of what I’ve done this month.

The Need to Write Everyday

I didn’t write on Thursday due to the holiday (Thanksgiving). This would seem like a minor hiccup, but alas, as I try to get back into my novel today, I’m struggling. I can’t seem to remember any of the story thread; I can’t find my way back into the story world. It all seems so foreign — the characters, the settings, the conflicts, the language. How can one missed day throw me out of my story so completely?

I managed to write about 1,000 words tonight, but they were disjointed and came in fits and starts. Hopefully tomorrow goes more smoothly.

What’s so crazy is that I feel so much more alive today now that I’ve written. My brain is abuzz with ideas; my imagination seems more alert and spongy (waiting to soak up ideas, I guess). I felt sluggish yesterday, and not just because of all the food. I was sluggish because I hadn’t connected with my story or my characters. It’s like, I *need* them now.

Which is totally cool! I’m glad that my story is becoming part of my daily routine. If nothing else comes out of NaNo, the desire and the discipline to write everyday is a good result.

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